What’s it about?
James Bond’s (Daniel Craig) loyalty to M (Judi Dench) is tested when a blast from her past bites her on the ass. Then, when MI6 is attacked by a cyber terrorist, things get all meta and Bond’s old-school secret service hand-to-hand combat is pitted against a high-tech, gadget-savvy villain (Javier Bardem).

What did we think?
Ben says: Bond and his frost-faced boss, M, are facing their most formidable threat, and no, it’s not Bardem’s unambiguously camp supervillain. No, it’s the risk of obsolescence – onscreen as well as off. Yet, with the pall of death bookending the 23rd film in the franchise – from the haunting Adele-crooned title sequence and opening plot gambit, to the most un-Bondlike maudlin final reel – there’s life yet in the spy and his series, both proving craggily endurable. By Skyfall’s climax, Craig’s 007 seems more dutiful son than lethal gallivanter this time, but plentiful winks to trademark tropes (my word, is that an exploding pen in your pocket?) will reassure viewers the Bond mix is only being stirred, not shaken.

What’s it about?
Brian Taylor (Jake Gyllenhaal) and Mike Zavala (Michael Pena) are two LA police officers and long-time friends who go all Riggs and Murtaugh on a Mexican drug cartel and end up with a price on their heads.

What did we think?
Mitch says: Look, I guess this movie has its positives, especially if you’re already a fan of cop films. But their big thing at the start is how this is all footage shot by the cops themselves, and then it’s like the director just straight-up forgot that’s what they were doing, or maybe he just thought it was too hard to maintain. Handheld/’found’ footage is a slippery beast at the best of times, but establishing it as the crux of your storytelling method then just periodically abandoning it seems kind of insane, really.

What’s it about?
This is a movie about L Ron Hubbard, and the beginnings of the cult of Scientology. Except [makes rabbit ears with both hands] “it’s not”.

What did we think?
James says: The illustrations of psychological conditioning in this film border on the intellectually violent, with Joaquin Phoenix, Philip Seymour Hoffman and Amy Adams all delivering expertly crafted performances. Moreover, the cinematography was sublime and the soundtrack eerie and fitting.

If this movie was created to compare a few of the darkest corners of inhumanity, it succeeds in a fascinating yet horrifying way. However, the fact that it’s difficult to like or relate to any of the protagonists makes it an uneasy watch. This movie will polarise people its viewers deeply.

What’s it about?
Manhattan couple Marion and Mingus, who each have children from prior relationships, find their comfortable family dynamic jostled by a visit from Marion’s relatives.

What Did We Think?
Cindy says: I jadore this film – it is stylish, sweet, clever, funny and real. When I grow up I hope this is what life is like.   Thank you Julie Delpy for this time inviting me into your New York home at the same time your family visits from Paris.  Special mention also goes to Chris Rock for being super adorable.  Watch this film now – for Francophiles and I HEART NEW YORK-ers alike.

Tres impressive!

What’s it about?
Mark O’Brien (John Hawkes, Deadwood) is a poet and journalist with a sweet, vibrant mind but a polio-ridden tomb of a body. After taking an assignment to write an article about sex and the disabled, he enlists the services of a sex surrogate (Helen Hunt) to help him shed his V-plates, seeking counsel from a priest with glorious hair (William H. Macy) along the way.

What did we think?
Mitch says: This is a beautifully made, thoughtfully told remarkable movie that teeters between being hilarious and unbelievably heart-wrenching. Hawkes is astonishing, effortlessly moving the audience while actually moving, like, two muscles the entire time. Hunt gives a physically and emotionally powerful performance – although her Massachusetts accent is a little wonky. Meanwhile, the always wonderful Macy is at risk of being upstaged by his hair. Fans of Deadwood will enjoy the mini-reunion among the expanded cast. A glorious piece of filmmaking.

What’s it about?
Three skinny cows, resentful that their fat friend is getting married before them, make fun of her behind her back and then have to fix it when stuff goes predictably pear shaped.

What did we think?
Liz says: Apart from a few (very few) amusing one liners, this film totally squanders its usually hilarious cast (Lizzie Caplan, Isla Fisher and Adam Scott, I am looking at YOU). The leads are so unlikeable and mean-spirited that I didn’t give a damn what happened to any of them. This film should have been called Bitchelorette.

What’s it about?
After he becomes a quadriplegic from a paragliding accident, an aristocrat hires a young man from the the wrong side of town (who only turned up to the interview to get a signature to get his benefits) to be his caretaker.

What did we think?
Lisa Campbell says:  A touching yet simple story of friendship and differences. The movie was full of laughs and surprisingly mostly at the expense of Philippe’s disability. Terrific casting for a warm and engaging film of how the relationship between two completely different people develops. I truly loved it and recommend it to everyone. One not to miss.

What’s it about?
Proof that truth is stranger than fiction, Argo is a dramatisation of the rescue of the “Canadian Six” from Iran during the revolutionary uprising of 1979. With radical alternatives to save the group dismissed, the best worst idea is employed: pretend the fugitives are shooting a science fiction movie.

What did we think?
Stephen says: This fast-paced thriller puts you, then keeps you, on the edge of your seat – a high accomplishment as we know how it ends. Affleck cleverly doesn’t identify a specific villain, instead focussing on the retributive predisposition of a people finally freed from their tyrannical ruler, only to inflict their own brand of terror. When faced with a nation of hatred, it makes the planning and execution of this escape even more nail biting. Some are upset the film wavers from the true story, but don’t worry about that. A highly enjoyable film that dramatises an already astonishing story.