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What’s it about? Aunt Lucy is turning 100 and Paddington has his eye on the perfect present: a meticulously beautiful pop-up book of London … but so has a thief with a taste for the theatrical.
What did we think? Stephen Scott says: With the classic Paddington stories montaged out of the way in the first movie, a cohesive tale can now be told, making a much more enjoyable experience. So enjoyable, I can safely say that Paddington 2 is, paws down, the best movie of 2017.
“But it’s not a serious movie!” I hear the purists scream. Let me explain: it doesn’t have to be. The charm and happiness it creates from classic slapstick and a heart-warming narrative ensures it is hilarious, uplifting and utterly delightful.
What’s it about? Despite having “all the money in the world”, JP Getty (Kevin Spacey Christopher Plummer) refuses to pay a ransom when his grandson is kidnapped.
What did we think? Elizabeth Best says: When editing someone out of a film and still insisting you can stick to your release date, you better make damn sure you do a good job of it. And what a job director Ridley Scott, Plummer and the cast have done, rallying to erase Spacey post #MeToo scandal. Plummer’s performance, shot in just 10 days, is masterful (and with a much larger part than I assumed). Controversy aside, Scott has created a film that remains gripping, even if you know the history behind this “based on true events” tale. I dare you to try and stop yourself muttering “you motherf–ker” every time the penny-pinching Getty sinks lower than you think he could possibly ever go.
Replacing Spacey was the best decision Scott ever made, as having someone with compromised moral character play this asshole would have been film-killing.
What’s it about? A flash look of the life of legendary showman and salesman PT Barnham told in the style of a larger-than-life musical (of course).
What did we think? Visually sumptuous, The Greatest Showman embraces chasing dreams, love and acceptance and anyone with joy in their heart will be swept away.
A stellar cast put in incredible performances and the soundtrack is both truly stunning and catchy. Audiences unfamiliar with the musical device of having periods of time pass during songs may feel the story is rushed and light, but with so much to tell the choice is a strong – albeit unusual – one.
Similarly, the promotion of aspiration over historical narrative provides a feel-good story. It’s not perfect and certainly different but there’s just so much to love about this musical spectacular that it’s easy to overlook the flaws. It’s fitting that a film about Barnham is more style than substance. After all, sometimes the entertainment is more important than the art.
What’s it about? A couple decide to embrace mankind’s newest invention to combat overpopulation – a shrinking process that will see them not only become small but insanely rich.
What did we think? The producers and marketers of this film should be locked up for fraud. The trailer was fresh, original, entertaining and exciting: exactly everything the film is not. In actuality, it is a depressing story that meanders morbidly around while wasting its truly talented cast. The second half of the movie doesn’t even utilise the whole shrinking premise; it’s wasted beyond some early laughs.
