Why him?
- By Anthony Sherratt
- 8 years ago
What’s it about?
Wholesome Stanford student Stephanie (Zoey Deutch) has a new eccentric (and utterly loaded) boyfriend (James Franco), and super-close Daddy (Bryan Cranston) is struggling to come to terms with the latest development in his little girl’s life.
What did we think?
Angela Young says: I went in with very low expectations, and was actually pleasantly surprised by this crass comedy. The basis for the story has been done to death, sure, but it’s been given a 2016 edge, and the performances, even from Franco, are really good. Special nod to little brother Scotty (played by Griffin Gluck) who is a scream, and to Keegan-Michael Key’s outrageous but loveable Gustave. Watch out, too, for some class lines from Megan Mullally as mum Barb. It’s a frankly hilarious script, as long as you don’t mind the f-word. And I don’t. I love it. Not something to watch with your own ma and pa, though, I’d wager.
Moana
- By Elizabeth Best
- 8 years ago
What’s it about?
A Polynesian princess yearns for the open sea and when her island begins to die she embraces the opportunity to seek out the help of the demigod Maui and insist that he return the heart of the world.
What we thought
Dan says:
The stories of ancient tribal cultures tend to get lost in the flash and glitz of 21st century storytelling but Disney have a lot of skill redrafting ‘olde tales’. Moana is exceptional cinema. Lavish scenes, vibrant heartfelt characters and joyous songs combine in that Disney style to share the tales of another whole new world.
Like all of the Disney products there is a sprinkling of shoehorned emotional moments that could have hit the cutting room floor but in total it’s entirely satisfying. I’m still humming the songs and counting down the days until it opens and I can see it again.
Allied
- By Elizabeth Best
- 8 years ago
What’s it about?
A Canadian airman working for the British forces in World War 2 meets a beautiful hero from the french resistance. The pair go deep undercover to assassinate a german target but end up storming the beaches of each other’s hearts.
What we thought
Dan Beeston says: A lot has been made of Brad Pitt’s separation from his wife, and rumours have abounded that Pitt had a secret dalliance with his on screen partner Marion Cotillard. Put those rumours to bed by watching just how little chemistry these characters have together. Every escalation in their relationship seems forced and unnatural. Some would say that we’re still feeling the tragic effects of World War 2. This film makes me agree.
The Founder
- By Elizabeth Best
- 8 years ago
What’s it about?
A down-on-his-luck milkshake machine salesman (Michael Keaton) comes across a hamburger joint that’s revolutionized fast food and has an idea on how to get involved in the business in a big way. A.k.a: the story of how an asshole came to claim he was the founder of McDonalds.
What did we think?
Elizabeth Best says: I always thought Ray Kroc was the founder of good old Maccas, but it turns out I was wrong… and sort of right. Ray “won” the right to call himself founder through a lot of clever assholery and fast talking that has to be seen to be believed. Here’s hoping the “Oscar buzz” for Keaton turns out to be true, as this is a fine performance to follow his turns in other nominated films Spotlight and Birdman. For a thoroughly fascinating movie on the origins of McDonalds, the story sure left a bad taste in my mouth. So much so that I’m boycotting them… at least, until I smell someone eating a delicious cheeseburger.
Fantastic Beasts and Where To Find Them
- By Elizabeth Best
- 8 years ago
What’s it about?
Eccentric magizoologist Newt Scamander (Eddie Redmayne) misplaces an enchanted suitcase in 1920s New York. An extremely profitable franchise is unleashed.
What did we think?
Amy Currie says: Hey, you guys like Harry Potter? Then I’ve got good news. Fantastic Beasts is the worthy spin-off that you’re going to be really into for the next ten years or so. While it’s darker than the original films, it’s packed with subtle little nods to them that fans will adore, and the story (though somewhat complicated) is good enough to stand alone. It’s tremendous fun to see the wizarding world through a 1920s lens – magical speakeasy, anyone? – and the inhabitants of Scamander’s Pokeball-meets-TARDIS suitcase are just as fantastic as advertised. This film will frighten young children, but everyone else will be thoroughly enchanted.
Arrival
- By Stephen Scott
- 8 years ago
What’s it about?
Aliens make contact with earth and Amy Adams is the only person who can speak their language
What did we think?
Nick Bleeker says: An incredibly tense and engrossing film, Arrival subverts the traditional sci-fi blockbuster with a gorgeous mix of cinematography, direction, and really solid narrative. Add Amy Adams’ absolutely stunning performance and you have one of the best movies of 2016.
What’s Popular
12 Strong
What’s it about?
This true story describes the immediate aftermath of the September 11 attacks in America where an elite team of 12 American soldiers were sent into Afghanistan to bring American wrath to the anti-American Taliban. America!
What we thought
Dan says: If this were a work of fiction it would be scorned for being two dimensional and predictable. The good guys ride in like white knights, the bad guys are all in black and faceless – perfect for a good bullet to the face. The main villain looks a bit like Jaffar from Aladdin sans parrot.
True stories of war succeed when they cast light on the subtitles of both sides. This story is stripped of all its nuance and packaged up to be perfect wank fodder for the audience members who really hate terrorists (I guess that’s most people). It does leave me feeling unsettled to know that I’m being manipulated into feeling delight when a person’s head explodes.
Nice visuals, occasionally muddy sound and good performances especially from Trevante Rhodes and Michael Shannon.
Black Panther
What’s it about?
A guy with a suit that makes him practically invulnerable fights another guy in a suit that makes him practically invulnerable. Yes, it’s another a Marvel movie. Oh, and 99% of the cast is black. And 95% are women.
What did we think?
Stephen Scott says: Empowerment just reached new highs – which is a good thing. This movie is going to inspire millions of downtrodden kids who’ve never seen anyone like them be the hero – not just non-caucasians, but also non-steroid-pumped-white-males. The women in this flick KICK SERIOUS ASS (physically and intellectually).
Unfortunately a stellar cast and unique premise does not a movie make, and it’s hard to be drawn in by the lacklustre story that doesn’t take any great risks.
There are many great themes touched on – the importance of traditions and when to bend or unfollow them, how to follow your moral compass even if it risks changing everything you believe in, the strength in self-belief – but when the ending is just the rehashed finale of Iron Man AGAIN the whole superhero flick concept just starts getting jaded.
Lady Bird
What’s it about?
Seventeen-year-old Christine “Lady Bird” McPherson (Saoirse Ronan) yearns to break free from her turbulent relationship with her mother and her cash-strapped suburban life.
What did we think?
If 2018 is the Year of the Woman, then certainly Lady Bird is the movie of the Year of the Woman. Writer/Director Greta Gerwig takes the well-trod trope of the coming-of-age tale and somehow makes it feel both comfortingly familiar and like we’ve never been there before. The humour and wit of Gerwig’s semi-autobiographical story mixes with the pain of a suburban adolescent existence to create a bittersweet dramedy brimming with honesty.
Phantom Thread
What’s it about?
Reynolds Woodcock (Daniel Day-Lewis) is a renowned fashion designer to the elite in 1950s London. A confirmed bachelor, his cold personality and obsession with work makes it difficult for him to form a substantial relationship with anyone besides his sister Cyril (Lesley Manville). On a countryside trip, Reynolds takes an interest in waitress Alma (Vicky Krieps), whom he brings back to London as his assistant and lover; a romance which turns complicated, tense and deadly.
What did we think?
James Tinniswood says: Daniel Day-Lewis? Daniel Dresses-Ladies! (What? Never mind.)
Firmly in the grand “There Will Be Blood”/”The Master” style of Paul Thomas Anderson movies – not the needle-dropping “Boogie Nights”/”Magnolia” style – this is one of his good ones. DDL is, naturally, fantastic: there’s a shot where he’s just putting on pants and it’s utterly compelling. Woodcock isn’t prone to snap rants about drinking milkshakes, but DDL again brings such a soft-spoken intensity that you think he just might. The kitchen scene near the end is Tarantino-like in its suspense-building.
The movie looks and sounds great; a score that’s alternatingly beautiful and tense, gorgeous costumes and cinematography.
An unconventional “romance” question mark?
Editor's Choice
12 Strong
What’s it about?
This true story describes the immediate aftermath of the September 11 attacks in America where an elite team of 12 American soldiers were sent into Afghanistan to bring American wrath to the anti-American Taliban. America!
What we thought
Dan says: If this were a work of fiction it would be scorned for being two dimensional and predictable. The good guys ride in like white knights, the bad guys are all in black and faceless – perfect for a good bullet to the face. The main villain looks a bit like Jaffar from Aladdin sans parrot.
True stories of war succeed when they cast light on the subtitles of both sides. This story is stripped of all its nuance and packaged up to be perfect wank fodder for the audience members who really hate terrorists (I guess that’s most people). It does leave me feeling unsettled to know that I’m being manipulated into feeling delight when a person’s head explodes.
Nice visuals, occasionally muddy sound and good performances especially from Trevante Rhodes and Michael Shannon.
Black Panther
What’s it about?
A guy with a suit that makes him practically invulnerable fights another guy in a suit that makes him practically invulnerable. Yes, it’s another a Marvel movie. Oh, and 99% of the cast is black. And 95% are women.
What did we think?
Stephen Scott says: Empowerment just reached new highs – which is a good thing. This movie is going to inspire millions of downtrodden kids who’ve never seen anyone like them be the hero – not just non-caucasians, but also non-steroid-pumped-white-males. The women in this flick KICK SERIOUS ASS (physically and intellectually).
Unfortunately a stellar cast and unique premise does not a movie make, and it’s hard to be drawn in by the lacklustre story that doesn’t take any great risks.
There are many great themes touched on – the importance of traditions and when to bend or unfollow them, how to follow your moral compass even if it risks changing everything you believe in, the strength in self-belief – but when the ending is just the rehashed finale of Iron Man AGAIN the whole superhero flick concept just starts getting jaded.
Lady Bird
What’s it about?
Seventeen-year-old Christine “Lady Bird” McPherson (Saoirse Ronan) yearns to break free from her turbulent relationship with her mother and her cash-strapped suburban life.
What did we think?
If 2018 is the Year of the Woman, then certainly Lady Bird is the movie of the Year of the Woman. Writer/Director Greta Gerwig takes the well-trod trope of the coming-of-age tale and somehow makes it feel both comfortingly familiar and like we’ve never been there before. The humour and wit of Gerwig’s semi-autobiographical story mixes with the pain of a suburban adolescent existence to create a bittersweet dramedy brimming with honesty.
Phantom Thread
What’s it about?
Reynolds Woodcock (Daniel Day-Lewis) is a renowned fashion designer to the elite in 1950s London. A confirmed bachelor, his cold personality and obsession with work makes it difficult for him to form a substantial relationship with anyone besides his sister Cyril (Lesley Manville). On a countryside trip, Reynolds takes an interest in waitress Alma (Vicky Krieps), whom he brings back to London as his assistant and lover; a romance which turns complicated, tense and deadly.
What did we think?
James Tinniswood says: Daniel Day-Lewis? Daniel Dresses-Ladies! (What? Never mind.)
Firmly in the grand “There Will Be Blood”/”The Master” style of Paul Thomas Anderson movies – not the needle-dropping “Boogie Nights”/”Magnolia” style – this is one of his good ones. DDL is, naturally, fantastic: there’s a shot where he’s just putting on pants and it’s utterly compelling. Woodcock isn’t prone to snap rants about drinking milkshakes, but DDL again brings such a soft-spoken intensity that you think he just might. The kitchen scene near the end is Tarantino-like in its suspense-building.
The movie looks and sounds great; a score that’s alternatingly beautiful and tense, gorgeous costumes and cinematography.
An unconventional “romance” question mark?