20th Century Women

What’s it about?
Two women, a man, a boy approaching manhood and a girl becoming a woman face their own crisis of confidence in that short burst of creativity during the late 70’s when punk flared then disappeared as quickly as it came. At its core, a 55 year-old mother is frustrated at her perceived inability to raise her 15 year-old son into manhood.

What did we think?
Stephen Scott says: Coming of age isn’t only for pre-pubescents. The revelations of this share-house-moulded, psuedo-intergenerational family prove it. An endearing exploration of how an individual’s response to the realisation of “this is as good as it gets” changes – with a sharp focus on the pivotal point of puberty via 15, 17 & 24 year-old perspectives.

It’s vexing pinpointing what is so enthralling about this nebulous reflection on everything and nothing. Perhaps it’s best left to the bohemian Abbie’s wistful explanation of the musical ineptitude of punk musicians: “it’s really interesting what happens when your passion is bigger than the tools you have to deal with it. It creates this energy that’s raw. Isn’t it great?”.

Baywatch

What’s it about?
Mitch Buchanan (Dwayne Johnson) is the ultimate boy scout of lifeguards. But when illegal drugs threaten the sanctity of his bay, he and his team take it upon themselves to expose the criminal plot.

What did we think?
Lisa Clifford says: I really wanted to like this one. I used to love watching the cheesy 90s original and I even appreciate the genial charms of Dwayne Johnson and Zac Efron. But by the mid-way mark, I was ready to raise an arm and call for somebody to ‘saaaaaaaaaaave me’ (*cue theme song*).

Despite a few laughs and a LOT of gratuitous (but equal opportunity!) body shots, Baywatch suffers a MAJOR identity crisis that causes a lack of cohesion. Is it a re-boot? A parody of the original? Or an awkward continuation of the original Baywatch universe, where the ‘new class’ of lifeguards have the have the exact same names as their predecessors for some bizarre reason? Good luck trying to figure it out, because I doubt anyone involved with the movie has yet.

The Sense of an Ending

What’s it about? 
Tony (Jim Broadbent) leads a reclusive, curmudgeonly existence until a letter from his past resurfaces and forces him to confront his flawed recollections of his past in the film adaptation of Julian Barnes’ Man Booker Prize-winning novel.

What did we think?
Elizabeth Best says: It’s ironic that a film about missing memories seems to be missing a crucial “ah-hah” moment for a satisfying conclusion. I kept waiting for a payoff to justify the slow burning, mysterious atmosphere and when it came, it proved too ambiguous and open-ended to provide any closure. Perhaps that’s the point; that in life we may never know the full story. It’s a fine point to make philosophically but proves for a less than satisfying experience for film-goers. Not even captivating performances from all, especially Broadbent, weren’t enough to shake the feeling that something was lost in translation from page to screen.

King Arthur: Legend of the Sword

What’s it all about then?

From the beginnin’. Well, there’s this roguish lad see, an’ ‘e an’ his mates are plannin’ a heist …
‘Old on, ‘old on. Yer sure nothin’ ‘appened before the beginnin’? Aw yeah, that’s right. Ye see (flashback) the kid’s not the bastard son of a prostitute, but actually heir to ye olde Englaland’s throne.
That’s more like it my son. Go on … There’s this magical scimitar an’ rooftop parkour an’ a kind-but-fair oriental fight instructor, y’know, everything you’d expect in 6th century Londinium …

What did we think?

Stephen Scott says: in a gloriously raucous post-Roman-occupied Britanniae, trouble is brewing in a cockney lad’s-own adventure that’s bleedingly obviously directed by Guy Ritchie without having all the promos blaring it at a million decibels. Fast, romance-free, with a (fantastic) soundtrack that makes you go “yeah – that’s what action movie music must’ve sounded like in 629AD”, it’s Lock Stock and One Smoking Excalibur. Exactly what you expect.

Snatched

What’s it about?
A girl who’s just been dumped takes her mum on her romantic trip to Equador after she realises the tickets are non-refundable. They get kidnapped.

What did we think?
Elizabeth Best says: It’s funny how Amy Schumer’s latest feature film is no Trainwreck at the same time as being a total trainwreck. It straddles the line of gross-out comedy and high-stakes kidnap flick without ever truly landing either. Accidental violent murders are followed up with fart and dick jokes and the whole thing feels awkward; much like the girls, it’s a little bit lost. The laugh-out-loud jokes that DID land (a few courtesy of a hilarious cameo by Joan Cusack) feel like they’ve been snatched from a much better film.

Alien: Covenant

What it’s about?
A crew of colonists find themselves tracking an alien signal only to find… well, an alien.
What did we think?
Nick Bleeker says: Putting aside the fact that there’s not a lot “new” in Covenant, Michael Fassbender delivers an electrifying performance, the action and gore is insane, and the film looks wonderful. Even shorter review? It’s better than Prometheus.

What’s Popular

Teen Titans Go To The Movies

What’s it about?
A teenage superhero team who dream of Hollywood stardom match wits against a supervillian intent on destroying the world.

What did we think?
Anthony Sherratt says: Anyone familiar with the Teen Titans Go TV show is aware of the wacky and zany adventures that frequently slide into sly self-deprecation and meta references. The movie kicks that into overdrive. The surprisingly intelligent script combines flatulence jokes for the kids and adult jokes about comics (both DC and Marvel universes) and moviemaking that parents will laugh along too. I chuckled a lot. Well-layered and constructed, the movie gets a bit loud and obviously focuses a touch more on the younger audience as its main demographic, however if you like superheroes as an adult then this will a bit of fun for you too.

The Nun

What’s it about?
A miracle-hunting priest (Demian Bichir) and novice nun (Taissa Farmiga) investigate the suicide of a young nun in remote Romanian abbey, where a demonic force has risen.

What did we think?
Lisa says: If you’re into plenty of jump scares and some creepy 1950s Catholic mythology (yes please!), The Nun is a fun, tight horror that won’t leave you with bad dreams afterwards. It’s a prequel to other films in The Conjuring Universe, but perfectly serviceable as a stand-alone feature.

Christopher Robin

What’s it about?
Christopher Robin has grown up and forgotten his friends from the Hundred Acre Wood. Now his job is consuming him, making him neglect his family. He needs to be reminded of what is important in life by a Bear of Very Little Brain.

What did we think?
Stephen Scott says: Disney is making a name for itself in wringing life out of existing franchises, creating sequels to much-loved classics no-one knows they need.

By clashing harsh reality with nostalgic fantasy without fully committing to a target audience, Christopher Robin tells a story that goes somewhere but nowhere at the same time – it’s a cute diversion that is missing something: a concept looking for a genre.

As Pooh himself observes, “When you are a Bear of Very Little brain, and you Think Things, you find sometimes that a Thing which seemed very Thingish inside you is quite different when it gets out into the open and has other people looking at it.”

“Bother.”

Kin

What’s it about?

An ex-con (Jack Reynor) and his adopted young brother (Myles Truitt) find themselves fleeing a vengeful crime boss (James Franco), the cops, and two strange unearthly figures in this sci-fi, crime drama, road trip, action movie mashup. 

What did we think?

Elizabeth Best says: It’s super engaging but this flick left me feeling like there were two different movies duking it out for screen time. Unfortunately the sci-fi part, which was ultimately the more interesting part, took a back seat to family drama. Bring on a TV series where they could explore both sides of the coin in a more thorough manner. A kick-ass final act left me immediately Googling if there’s going to be a sequel because shit, you can’t just leave it there. I need more! 

Editor's Choice

Teen Titans Go To The Movies

What’s it about?
A teenage superhero team who dream of Hollywood stardom match wits against a supervillian intent on destroying the world.

What did we think?
Anthony Sherratt says: Anyone familiar with the Teen Titans Go TV show is aware of the wacky and zany adventures that frequently slide into sly self-deprecation and meta references. The movie kicks that into overdrive. The surprisingly intelligent script combines flatulence jokes for the kids and adult jokes about comics (both DC and Marvel universes) and moviemaking that parents will laugh along too. I chuckled a lot. Well-layered and constructed, the movie gets a bit loud and obviously focuses a touch more on the younger audience as its main demographic, however if you like superheroes as an adult then this will a bit of fun for you too.

The Nun

What’s it about?
A miracle-hunting priest (Demian Bichir) and novice nun (Taissa Farmiga) investigate the suicide of a young nun in remote Romanian abbey, where a demonic force has risen.

What did we think?
Lisa says: If you’re into plenty of jump scares and some creepy 1950s Catholic mythology (yes please!), The Nun is a fun, tight horror that won’t leave you with bad dreams afterwards. It’s a prequel to other films in The Conjuring Universe, but perfectly serviceable as a stand-alone feature.

Christopher Robin

What’s it about?
Christopher Robin has grown up and forgotten his friends from the Hundred Acre Wood. Now his job is consuming him, making him neglect his family. He needs to be reminded of what is important in life by a Bear of Very Little Brain.

What did we think?
Stephen Scott says: Disney is making a name for itself in wringing life out of existing franchises, creating sequels to much-loved classics no-one knows they need.

By clashing harsh reality with nostalgic fantasy without fully committing to a target audience, Christopher Robin tells a story that goes somewhere but nowhere at the same time – it’s a cute diversion that is missing something: a concept looking for a genre.

As Pooh himself observes, “When you are a Bear of Very Little brain, and you Think Things, you find sometimes that a Thing which seemed very Thingish inside you is quite different when it gets out into the open and has other people looking at it.”

“Bother.”

Kin

What’s it about?

An ex-con (Jack Reynor) and his adopted young brother (Myles Truitt) find themselves fleeing a vengeful crime boss (James Franco), the cops, and two strange unearthly figures in this sci-fi, crime drama, road trip, action movie mashup. 

What did we think?

Elizabeth Best says: It’s super engaging but this flick left me feeling like there were two different movies duking it out for screen time. Unfortunately the sci-fi part, which was ultimately the more interesting part, took a back seat to family drama. Bring on a TV series where they could explore both sides of the coin in a more thorough manner. A kick-ass final act left me immediately Googling if there’s going to be a sequel because shit, you can’t just leave it there. I need more! 

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