What’s it about?
A group of sheltered young ladies at a boarding school take in an injured enemy solider. Then there’s a whole lot of sexual tension, which apparently is pretty dangerous when lots of ladies and just one gent are all cooped up.

What did we think? 
Elizabeth Best says: All hail Sofia Coppola, mistress of the visceral slow burn for this tense, claustrophobic drama. The burning desires of the ladies simmer brilliantly beneath their genteel exterior, a testament to the performances of Nicole Kidman, Kirsten Dunst and Elle Fanning. It’s like watching a masterful game of cat and mouse, with each party advancing their gameplay while trying to maintain the airs of a proper Southern lady. Politeness has never been so chilling.

What’s it about?
Really, it’s all about the music. But ostensibly it’s about a young guy who’s a demon behind the wheel stuck driving for a big-time heist boss. For him to drive at his best, his soundtrack has to be just right.

What we thought
Angela says: You don’t have to be a music nerd to appreciate the musical quality of this surprising little action-packed gem. You also don’t have to understand dance to appreciate Ryan Heffington’s outstanding choreography, seamlessly blending hops, skips, hand taps and explosions with lyrics and melody. Ansel Elgort brings a beautiful charm to Baby, getaway driver extraordinaire, while Jamie Foxx as unhinged bad guy Bats is genuinely terrifying. Jon Hamm’s Buddy is slightly OTT and Kevin Spacey’s Doc is only a monotone psychopath, nothing more, but this is a great little romp, with action, occasional belly laughs and, of course, that wonderful music.

What’s it about?
Flash McQueen is back with his friends racing, learning and interacting with a world OBVIOUSLY made for characters who have hands despite the fact that NOBODY has any hands. I mean seriously! Doesn’t this bother anyone else?!

What we thought
Dan says: Nascar itself isn’t this boring. At least it’s supposed to go around and around without actually getting anywhere. Part of the story involves embracing the love of what you do and rejecting selling out. The irony was not lost on me.

What’s it about?
The story of successful nineties gangster rapper Tupac Shakur before he became a hologram.

What did we think?
Dan Beeston says: The tale told here is so one-sided it feels like the other two sections of the Rashomon went missing. Tupac is portrayed as a cultural leader for whom butter wouldn’t melt in his mouth, and then justifying his abuse of the trappings of his success. Like that one kid who’d plead “I was hanging out with the bad kids sure, but I’ve never done anything bad myself”.

There’s a lot of information and swearing to get through. Tonally it often feels cartoonish. You could almost cast Samuel L. Jackson in every single part and it would only make it slightly more comical. But the viewers job isn’t to cast judgement. It’s to delight in the tale of this version of Tupac. To revel in his heroism. Add an extra star if you’re West Coast 4 EVR.

What’s it about?
A bachelorette weekend turns nasty when someone accidentally kills a stripper.

What’s it about?
After losing his job, Gru meets his long-lost charming, cheerful, and more successful twin brother Dru who wants to team up with him for one last criminal heist.

What did we think?
Fans of the minions will be a bit disappointed in DM3 as the banana-loving yellow henchmen don’t feature as much as previous instalments. Most adults will also be disappointed as that means the weak storyline has to be carried by a two-dimensional version of Gru. The best parts of a movie (from an adult perspective) is 80s jokes and a wicked 80s soundtrack but there’s not much else to talk about. Perhaps having three directors is to blame for the lack of a central theme but there’s still mindless fun on show as the kids laughed and were left happy and that is the primary audience. The Minions sequel (due 2020) will need to be better than this for the franchise.