Pork Pie

A kiwi romp?

Guardians Of The Galaxy Vol 2

What’s it about?
Set to the backdrop of Awesome Mixtape #2, ‘Guardians of the Galaxy Vol. 2’ continues the team’s adventures as they unravel the mystery of Peter Quill’s true parentage.

What did we think?
Anthony Sherratt says: The much-anticipated sequel to Guardians Of The Galaxy was always going to feature a plethora of one-liners and an awesome soundtrack and it certainly delivers on those. But while it’s heavy on laughs, it’s light on story. Almost two-and-a-half hours is a long running time and even more so when you consider just how little plot exists. Despite this, it’s incredibly entertaining and you will laugh for nearly the entire movie so it will once again make a squillion dollars despite the shortcomings. Between the laughs (most of which are delivered by Draxx, Rocket and Baby Groot this time around) and the cuteness (Baby Groot steals nearly every scene he’s in), there’s a lot to like about GotG2, but sadly the story – and ensuing replayability – is not one of them. And there are FIVE post-credit scenes and only one of them is actually worth sitting there for. Flat ending to the fun.

Free Fire

What’s it about?
A bunch of people meet in a warehouse for a weapons deal. Shots are fired and shit gets real in real time.

What did we think? 
Elizabeth Best says: Ever wanted to skip the beginning boring part of a movie and get right to the climax? Free Fire is ALL CLIMAX; an hour and a half of gangsters shooting the shit out of each other, on a claustrophobic set. It’s tense, it’s exciting, it’s even gross in bits. It has a touch of the Reservoir Dogs about it except without the flashbacks. Only thing is, the flashbacks (ironically) are what move the story forwards and without them, the bullet fatigue eventually sets in. The concept is truly kick-ass, it’s just a shame they didn’t do a bit more with it.

My Pet Dinosaur

What’s it about?
A town is plunged into chaos when a boy accidentally makes a new friend. And by make, we mean literally and figuratively. The title probably gives that away though.

What did we think?
While it doesn’t exactly tread new ground, My Pet Dinosaur is a delightful throwback to kid’s movies of the 80s. It’s a positively endearing reminder of youth, imagination and love. It would be easy to lump in with a post-Spielbergian genre, but great acting and good characterisation more than overcome the cliches. It’s good solid fun and wonderful to see a movie for all ages that doesn’t talk down to kids or get too caught up in itself.

Get Out

What’s it about?
A young black man visits his girlfriend’s wealthy white family at their mansion in the woods for the first time, but when he gets there, things seem seriously weird.

What did we think?
True horror is not monsters or ghosts – it’s humanity. And nowhere is this more evident than in Jordan Peele’s Get Out. An incredibly intelligent look at racism, the insidiousness of political correctness and modern America, it’s a movie that defies easy categorisation though it slips into a revenge flick. The true strength is that it will make you uncomfortable mentally long after the credits have rolled. Insightful and witty, it’s a must see not only for film lovers but anyone interested in equality or racial dynamics. Superb.

GET OUT opens in Australian cinemas on May 4. 

CHiPS

What’s it about?
Michael Peña and Dax Shepard reprise the roles made famous in the 1970s/80s by Erik Estrada and Larry Wilcox, with the California Highway Patrol officers this time hunting down a mob of motorcycle thugs making a killing from security vans, with suspicions of an inside job. 
What did we think?
Angela says: “Chip happens” is the tagline: an implied sentiment so synonymoys with modern remakes. But surprisingly, this cheesy little comedy is actually not light on laughs. Peña’s Frank Poncherello is a likeable little git, and despite being the writer, director and star, Shepard’s washed-up ex biker makes a great partner. It’s no Oscar-winner, but there’s some serious chortles to be had. It’s a bit like watching a film your douchey friends have made in their spare time – pretty clumsy, but you can’t help feeling happy with it.

What’s Popular

Skyscraper

What’s it about?
The Rock reimagines Die Hard by saving his family from terrorists in a locked-down skyscraper.

What did we think?
It’s time to put aside the Chuck Norris jokes and declare that gravity doesn’t affect The Rock; The Rock affects gravity. Skyscraper walks a fine line between homage and plagiarism but if you just want to see Dwayne Johnson saving the day amidst explosions and eye-rolling stunts then you will love this mindless action film. There are actually a few good scientific tidbits and accuracies in here as well as an interesting motive. It’s a shame that there are also flaws that render any credits from them immediately worthless. It’s highly predictable but to be honest, Liz and I had a blast predicting lines and cliched incidents (it even had a Rocky shout out) so would be fun slightly intoxicated. At the end of the day there’s one sentence that will decide whether you’ll see it or not: it’s The Rock.

Ant Man and the Wasp

What’s it about?
Scott/Ant Man (Paul Rudd) is struggling with the fallout of answering the Civil War call. He’s not legally allowed to have contact with Hank (Michael Douglas) or Hope (Evangeline Lilly), but they need him for a mission so…

What did we think?
Elizabeth Best says: It’s the characters who make this movie enjoyable, which is lucky because a strong story line is nowhere to be found. It’s a sequel that doesn’t really know what it wants to be, and that leaves the audience clinging to the quips of our heroes and waiting for something to really invest in. Interestingly, this movie was meant to be released BEFORE Avengers: Infinity War. I won’t say whether they do or don’t address that but it’s worthwhile noting.

Show Dogs

What’s it about?
A loner police dog gets partnered with a goofy and impatient FBI officer to go undercover at a dog show in search of a stolen panda.

What we thought
Dan says: Show Dogs biggest claim to fame is a misguided subplot about the hero learning to be relaxed when his dog junk is physically checked for quality. This scene was removed in the international version for accidentally sending the wrong message to children about molestation.

Interfering with the auteur’s vision can have negative effects on the resulting product.

Thankfully, in this instance, the auteur appears to have spent so much of the film’s budget on coke that nothing makes any sense before the edited scene. The story is both simplistic and yet baffling at the same time. The effects are laughably nineties. There are more jokes about breeding than I’d expect in a kid’s film including one with Ru Paul that I can’t figure out whether it’s racist or transphobic.

I did chuckle twice at the pug.

Sicario: Day of the Soldado

What’s it about?
Josh Brolin and Benicio Del Toro team up to try and incite a war between drug cartels, but don’t really do a very good job.

What did we think?
Nick says: Day of the Soldado opens and closes beautifully, but the big issue lies in the fact that there’s not a lot to rave about in the middle. Still, Del Toro and Brolin are terrific and there are some really satisfying bits and pieces amongst the retreading and boring politics.

Editor's Choice

Skyscraper

What’s it about?
The Rock reimagines Die Hard by saving his family from terrorists in a locked-down skyscraper.

What did we think?
It’s time to put aside the Chuck Norris jokes and declare that gravity doesn’t affect The Rock; The Rock affects gravity. Skyscraper walks a fine line between homage and plagiarism but if you just want to see Dwayne Johnson saving the day amidst explosions and eye-rolling stunts then you will love this mindless action film. There are actually a few good scientific tidbits and accuracies in here as well as an interesting motive. It’s a shame that there are also flaws that render any credits from them immediately worthless. It’s highly predictable but to be honest, Liz and I had a blast predicting lines and cliched incidents (it even had a Rocky shout out) so would be fun slightly intoxicated. At the end of the day there’s one sentence that will decide whether you’ll see it or not: it’s The Rock.

Ant Man and the Wasp

What’s it about?
Scott/Ant Man (Paul Rudd) is struggling with the fallout of answering the Civil War call. He’s not legally allowed to have contact with Hank (Michael Douglas) or Hope (Evangeline Lilly), but they need him for a mission so…

What did we think?
Elizabeth Best says: It’s the characters who make this movie enjoyable, which is lucky because a strong story line is nowhere to be found. It’s a sequel that doesn’t really know what it wants to be, and that leaves the audience clinging to the quips of our heroes and waiting for something to really invest in. Interestingly, this movie was meant to be released BEFORE Avengers: Infinity War. I won’t say whether they do or don’t address that but it’s worthwhile noting.

Show Dogs

What’s it about?
A loner police dog gets partnered with a goofy and impatient FBI officer to go undercover at a dog show in search of a stolen panda.

What we thought
Dan says: Show Dogs biggest claim to fame is a misguided subplot about the hero learning to be relaxed when his dog junk is physically checked for quality. This scene was removed in the international version for accidentally sending the wrong message to children about molestation.

Interfering with the auteur’s vision can have negative effects on the resulting product.

Thankfully, in this instance, the auteur appears to have spent so much of the film’s budget on coke that nothing makes any sense before the edited scene. The story is both simplistic and yet baffling at the same time. The effects are laughably nineties. There are more jokes about breeding than I’d expect in a kid’s film including one with Ru Paul that I can’t figure out whether it’s racist or transphobic.

I did chuckle twice at the pug.

Sicario: Day of the Soldado

What’s it about?
Josh Brolin and Benicio Del Toro team up to try and incite a war between drug cartels, but don’t really do a very good job.

What did we think?
Nick says: Day of the Soldado opens and closes beautifully, but the big issue lies in the fact that there’s not a lot to rave about in the middle. Still, Del Toro and Brolin are terrific and there are some really satisfying bits and pieces amongst the retreading and boring politics.

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