Logan Lucky
What’s it about?
Down-on-their-luck siblings join forces with bomb-addict siblings for a heist that will become legendary: the home of NASCAR.
What did we think?
Stephen Scott says: Logan Lucky (3¾★) wins the heist battle of 2017 over Baby Driver (3½★) thanks to a stronger storyline and beguiling characters – interestingly both films use the transition of musical styles to further tension, in this case from country to bluegrass. Soderbergh cleverly mirrors the same story of a fight-against-the-odds for redemption across three encampments without you realising by using sleight of hand, country music, a couple of clever twists, and some good laughs.
BEWARE: the odds are high you’ll end up singing a John Denver classic. Yep. That one.
An Inconvenient Sequel
What’s it about?
Ten years after An Inconvenient Truth, Al Gore is still at it – and with good reason.
What did we think?
Amy Currie says: This is certainly an important film, and its (terrifying) statements about climate change are clearly explained and backed up by solid data. However, the movie itself is blatantly manipulative and spends a lot – like, a lot – of time talking about what a great guy Al Gore is. So great. Wow.
It’s pure propaganda – but when it’s propaganda for good, does it really matter? It’s not a brilliant film, but that’s not the point.
The Big Sick
What’s it about?
Writer and star Kumail Nanjiani brings the story of his burgeoning relationship with his now wife to the big screen, illustrating the ups and downs they faced with their cross-cultural connection, not least of which was Emily being in a coma.
What we thought
Angela Young says: This film is brilliant, go see it. It’s properly funny and properly real. Kumail plays himself, so we know we we’re getting the truth there, but Zoe Kazan is fantastic as down-to-earth and bubbly Emily. You will love all the characters in this film, literally – there’s not a baddie (or bad acting) among them. Even Ray Romano as Dad! You’ll laugh, you’ll cry (but only a little bit), and you’ll only just notice the subtle lessons you’re learning about cultural integration and the hilarious nuances at play within a Pakistani muslim family in modern America.
A Monster Calls
What’s it about?
A troubled young boy (Lewis MacDougall) is visited by a storytelling monster (Liam Neeson). Emotional growth ensues.
What did we think?
Amy Currie says: At first glance, this tale featuring an enchanted tree, a stern grandmother and fantastical revenge on a schoolyard bully seems a Dahl-esque children’s story. However, in an interesting twist on the genre, A Monster Calls takes place in the real world of divorce, chemotherapy and lawsuits, where good and evil aren’t clear-cut and endings are often imperfect. It’s not a subtle film, but the performances are decent, the animation in the storytelling sequences is gorgeous and the ending will make you cry.
War for the Planet of the Apes
What’s it about?
An escalating war between Caesar’s (Andy Serkis) apes and a renegade army colonel (Woody Harrelson) forces Caesar to choose between his desire for revenge and his quest for a better world for ape-kind.
What did we think?
Lisa Clifford says: For the first time in the new series, apes are unapologetically placed front-and-centre as protagonists, and Serkis is utterly brilliant in his third turn as the messianic ape leader. A stark and arresting study of morality in war and how it influences our actions, War for the Planet of the Apes is visually stunning with great action sequences, and a satisfying conclusion to Caesar’s story – forming an interesting bridge between the modern reboot and the original films.
Dunkirk
What’s it about?
An intense depiction of WW2’s Battle of Dunkirk.
What did we think?
Amy Currie says: Two hours of pure tension. Dunkirk does away with preamble – there are no names, backstories or wistful talk of sweethearts back home. We barely even see the enemy. Instead, we’re plunged straight into urgent, up-close chaos. The strong performances (yes, even from that ‘one’ guy), minimal dialogue, and spectacular soundtrack moved my stoic companion to a masculine tear. See it.
What’s Popular
Halloween
What’s it about?
Mike Myers (the bad one) returns to Haddonfield to wreak havoc on the one night of the year that it feels mostly okay to do so.
What did we think?
Nick John Bleeker says: I walked into the cinema thinking I could handle it and came out of the cinema so horribly wrong. Halloween doesn’t really present anything too fresh, but Jamie Lee Curtis is great and David Gordon Green’s handle on the source material is incredibly solid, and I did kinda shit myself thanks to some of the scares.
3.5 / 5 stars
Goosebumps 2: Haunted Halloween
What’s it about?
While cleaning junk out of an old, abandoned house just before Halloween, some kids come across an old book and a ventriloquist dummy named Slappy. Spooky chaos ensues. Jack Black eventually turns up.
What did we think?
James Tinniswood says: ERMAGERD, GERSBERMS TER
I HERF TER ADMERT *clears throat* I have to admit I liked this more than I thought I would. It does have a bit of a “made-for-Nickelodeon sequel” feel, but it zips along at a good pace and I was never bored. And I liked that it (mostly) plays like a standalone Goosebumps story to the point where it (almost) didn’t need to go back to the meta “RL Stine is a character” well … until it does and reminds you it’s a sequel.
The kind of movie I would have liked the first Goosebumps to be and the third Jumanji to be. “Goosemanji”. Sony, call me, let’s talk.
Bad Times At The El Royale
Criminals, cool kids and cults. Can it come together?
In Like Flynn
What’s it about?
Root-rat movie-star Errol Flynn’s legend began long before Hollywoodland beckoned, as these adventures recollected from his biographical Beams End illustrate.
What did we think?
Stephen Scott says: In Like Flynn is a boys own adventure gone bad. It has all the elements of a successful movie: the director of Highlander, up-and-coming acting superstars (one is “the next Chris Hemsworth” I read somewhere), a David Wenham cameo (then again, his appearances make up 80% of the movies highlights), and the “true” life story of Errol Flynn … what could go wrong?
Oh, it’s awful. I honestly thought I was watching a 3rd year film students homage to Indiana Jones until Quint from Jaws turned up on the Sirocco. To be fair, aside from a handful of roaming accents, the acting isn’t too bad (with Clive Standen’s Charlie / Quint doing what he can to raise the standard alongside Wenham’s brilliant Dastardly Whiplash), but the script is as wooden and rotten as the boat they sail in, and the whole endeavour just ends up a misogynist try-hard mess.
Rent Highlander or Errol’s Captain Blood instead. This deserves to rest on the floor of the ocean alongside the boat it sunk in.
Editor's Choice
Halloween
What’s it about?
Mike Myers (the bad one) returns to Haddonfield to wreak havoc on the one night of the year that it feels mostly okay to do so.
What did we think?
Nick John Bleeker says: I walked into the cinema thinking I could handle it and came out of the cinema so horribly wrong. Halloween doesn’t really present anything too fresh, but Jamie Lee Curtis is great and David Gordon Green’s handle on the source material is incredibly solid, and I did kinda shit myself thanks to some of the scares.
3.5 / 5 stars
Goosebumps 2: Haunted Halloween
What’s it about?
While cleaning junk out of an old, abandoned house just before Halloween, some kids come across an old book and a ventriloquist dummy named Slappy. Spooky chaos ensues. Jack Black eventually turns up.
What did we think?
James Tinniswood says: ERMAGERD, GERSBERMS TER
I HERF TER ADMERT *clears throat* I have to admit I liked this more than I thought I would. It does have a bit of a “made-for-Nickelodeon sequel” feel, but it zips along at a good pace and I was never bored. And I liked that it (mostly) plays like a standalone Goosebumps story to the point where it (almost) didn’t need to go back to the meta “RL Stine is a character” well … until it does and reminds you it’s a sequel.
The kind of movie I would have liked the first Goosebumps to be and the third Jumanji to be. “Goosemanji”. Sony, call me, let’s talk.
Bad Times At The El Royale
Criminals, cool kids and cults. Can it come together?
In Like Flynn
What’s it about?
Root-rat movie-star Errol Flynn’s legend began long before Hollywoodland beckoned, as these adventures recollected from his biographical Beams End illustrate.
What did we think?
Stephen Scott says: In Like Flynn is a boys own adventure gone bad. It has all the elements of a successful movie: the director of Highlander, up-and-coming acting superstars (one is “the next Chris Hemsworth” I read somewhere), a David Wenham cameo (then again, his appearances make up 80% of the movies highlights), and the “true” life story of Errol Flynn … what could go wrong?
Oh, it’s awful. I honestly thought I was watching a 3rd year film students homage to Indiana Jones until Quint from Jaws turned up on the Sirocco. To be fair, aside from a handful of roaming accents, the acting isn’t too bad (with Clive Standen’s Charlie / Quint doing what he can to raise the standard alongside Wenham’s brilliant Dastardly Whiplash), but the script is as wooden and rotten as the boat they sail in, and the whole endeavour just ends up a misogynist try-hard mess.
Rent Highlander or Errol’s Captain Blood instead. This deserves to rest on the floor of the ocean alongside the boat it sunk in.