What’s it about?
Ten years after leaving the jungle, Tarzan and Jane must return to save Africa from Christoph Waltz, who wants diamonds, or slaves, or colonialism, or something.

What did we think?
Amy Currie says: Just awful. Alexander Skarsgård’s Tarzan is entirely without charm and personality. Margot Robbie makes desperate attempts to compensate by being as sassy and vivacious as she possibly can, which is even worse. She ain’t your grandma’s Jane! Am I right, ladies? Christoph Waltz tries vaguely as a pantomime villain in white linen, and is the best thing in it with the exception of a CGI baby elephant. Oh, and Samuel L Jackson is Tarzan’s wisecracking cowboy sidekick who fires a machine gun and jokes about licking testicles. At least the animals don’t talk.

What’s it about?

Sophie (Ruby Barnhill) is whisked away to Giant Country when she accidently spots a giant (Mark Rylance) going about his business in the middle of the night. She and her new friend the BFG must come up with a plan to stop his friends from kidnapping and eating children in England.

What did we think?

Elizabeth Best says: If you ever read this Roald Dahl book as a child, this movie will be a giant (geddit?), nostalgic punch right in the feels. The BFG himself is brought to glorious life through the ever-expressive face of Rylance and the deft touches of a very talented animation team. The dream worlds fizz with life and imaginative design that leaps off the page.

Adapting a rather short story into a full length movie has it’s pitfalls though, and the pace does seem to lag  in the middle, as smaller ideas from the novel feel fleshed out for time.

Though some of Dahl’s darker ideas are glossed over (as they always seem to be in movie form), and the Sophie seems a bit more precocious than I remember her, The BFG (both movie and character) is still rather charming.

What’s it about?
Scrat’s epic pursuit of his elusive acorn catapults him outside of Earth, where he accidentally sets off a series of cosmic events that transform and threaten the planet. To save themselves from peril, Manny, Sid, Diego, and the rest of the herd leave their home and embark on a quest full of thrills and spills.

What did we think?
We’re now five Ice Age instalments in and we’re sadly reaching the point where adults are praying for the exinction of the prehistorics. What was once, at its heart, a sweet family story is now a frenetic ADD children’s film with character numbers and guest stars put ahead of what little plot there is. The sheer number of animals – new and old – makes it difficult to keep track of but at least distracts you from the idea that a woolly mammoth can save the world from an asteroid collision.

High-quality animation helps and there’s more than enough there for the kids and during school holidays that’s all you need. I’d suggest getting your partner to take them though.

What’s it about?
The peaceful realm of Azeroth stands on the brink of war as its civilisation faces a fearsome race of invaders: orc warriors fleeing their dying home to colonise another. If that sentence alone doesn’t excite you then stop reading here and run far away: this movie won’t be for you.

What did we think?
Anthony Sherratt says: With the vision of Lord Of The Rings but the delivery of Dungeons and Dragons the cartoon series, Warcraft doesn’t manage to hit the mainstream target. Perhaps the 5 million or so subscribers to the game will get more out of it than I,  but this fantasy film – a genre I DO enjoy – feels more wearisome than exciting.

Impressive effects can’t hide the weak script that feels like it’s written by the computer game writers themselves: lots of ambiguity and open threads that don’t really get answered. Just like the open-ended game. Only for die-hards of the game.

What’s it about?
The friendly-but-forgetful blue tang fish from Finding Nemo remembers her family and sets out to find them.

What did we think?
Anthony Sherratt says: Sequels are usually a tough thing, but Finding Dory is more of a logical procession from the first film which only strengthens the story. But be warned – Finding Dory is significantly more emotional than its predecessor and don’t be surprised if a tear or two leaks out. Kids will marvel at the colours and animals while adults will feel for the absent-minded Dory. Great voice acting, heartwarming story, wonderful new characters complementing the familiar ones all wrapped together with Pixar’s usual top-notch animation. You can’t ask for more really.

What’s it about?

Quirky, “chatty” Lou (Emilia Clarke) is hired as a carer for a cynical, wealthy young man who feels he lost everything when he was paralysed in an accident

What did we think?

Elizabeth Best says: If you get a bit weepy in sad films (like me *sniff sniff*) then get ready for the deluge. If you don’t, then you’re probably not going even get as far as handing over your cash at the box office for this heartfelt sobfest… Unless you’re forced to on a date, in which case get ready for your date to look all red and splotchy when the credits roll.

Clarke is so infectiously chipper here, she’s almost like a (slightly overacting) British Jessica Day (New Girl), while Clafin smoulders as a wheelchair bound Mr Darcy type. Ultimately it’s a solid romantic drama that will punch those so inclined right in the feels, and leave everyone else wishing all the emotional stuff was over so they can get back to the latest superhero flick.