What’s it about?
A young boy born with facial genetic defects finally goes to a mainstream school where he and his family face a gamut of reaction.

What did we think?
Anthony Sherratt says: Thankfully this wasn’t as tear-inducing as the trailer suggested though it does tug at the heart strings. Wonderfully this isn’t just about Auggie – the boy whose face inspires heartbreaking reactions. It focuses heavily on family and new friends and their actions and motivations. What could have been a semi-light feel-good flick actually becomes something much more with some interesting explorations of human reactions and the reasons behind it. The whys of how we treat each other are possibly even more important than the actual treatment.

This is a story younger people should be made to see.

Unfortunately an unnecessarily saccharine moment at the end threatens to sugarcoat things but it nonetheless remains a movie that will inspire thought and conversation about the very real failings and strengths of human beings.

What’s it about?
Many know the character Wonder Woman was created by psychologist William Marston but most people don’t realise he was in a polyamorous relationship with two women. This is a look at the controversy the comic generated and the secrets of another time.

What did we think?
Anthony Sherratt says: As an avid Wonder Woman fan I was aware of Marston’s colourful past and was half expecting a critical piece focusing on the BDSM and sexist commentary of early Wonder Woman (common criticisms). So it was a pleasant surprise to see this biopic spend more time on the genuine love and respect in the non-traditional relationship where three people genuinely cared about each other, raising a family in an incredibly conservative and judgemental time.

All three main characters are given the depth they deserve and the women in particular are multi-dimensional, intelligent and never relegated into minor roles.

With Wonder Woman enjoying renewed popularity, this biopic is a wonderful chance to question just how far we’ve come in our attitudes even today. Director Angela Robinson deserves a lot of credit for her handling of material that will, once again, no doubt be controversial.