Ant Man and the Wasp
What’s it about?
Scott/Ant Man (Paul Rudd) is struggling with the fallout of answering the Civil War call. He’s not legally allowed to have contact with Hank (Michael Douglas) or Hope (Evangeline Lilly), but they need him for a mission so…
What did we think?
Elizabeth Best says: It’s the characters who make this movie enjoyable, which is lucky because a strong story line is nowhere to be found. It’s a sequel that doesn’t really know what it wants to be, and that leaves the audience clinging to the quips of our heroes and waiting for something to really invest in. Interestingly, this movie was meant to be released BEFORE Avengers: Infinity War. I won’t say whether they do or don’t address that but it’s worthwhile noting.
Show Dogs
What’s it about?
A loner police dog gets partnered with a goofy and impatient FBI officer to go undercover at a dog show in search of a stolen panda.
What we thought
Dan says: Show Dogs biggest claim to fame is a misguided subplot about the hero learning to be relaxed when his dog junk is physically checked for quality. This scene was removed in the international version for accidentally sending the wrong message to children about molestation.
Interfering with the auteur’s vision can have negative effects on the resulting product.
Thankfully, in this instance, the auteur appears to have spent so much of the film’s budget on coke that nothing makes any sense before the edited scene. The story is both simplistic and yet baffling at the same time. The effects are laughably nineties. There are more jokes about breeding than I’d expect in a kid’s film including one with Ru Paul that I can’t figure out whether it’s racist or transphobic.
I did chuckle twice at the pug.
Sicario: Day of the Soldado
What’s it about?
Josh Brolin and Benicio Del Toro team up to try and incite a war between drug cartels, but don’t really do a very good job.
What did we think?
Nick says: Day of the Soldado opens and closes beautifully, but the big issue lies in the fact that there’s not a lot to rave about in the middle. Still, Del Toro and Brolin are terrific and there are some really satisfying bits and pieces amongst the retreading and boring politics.
Jurassic World: Fallen Kingdom
What’s it about?
People try to profit off dinosaurs. Dinosaurs eat people. Other people try to save dinosaurs.
What did we think?
Anthony Sherratt says: Jurassic World Fallen Kingdom asks some very interesting questions and even throws in an unexpected surprise. It’s just a shame it’s all couched within a cliched and boring storyline. When you care more about the survival of one of the dinosaurs than most of the human characters (including, it has to be said, the main two), then you’re doing something wrong. The first half was entertaining but the makers seem to have forgotten the charm of the original was based on the humans with the dinos just being the danger.
It’s not bad as monster movies go, but at the end of the day, it’s a blockbuster popcorn movie profiting off a legacy instead of adding to it.
Tag
What’s it about?
Inspired by true events, a group of mates who’ve played a game of tag for decades get back together to see if they can make the only member of the group who’s never been tagged “it” before he retires.
What did we think?
Elizabeth says: That moment when you have to break your review down into three parts because of a badly misfiring joke…
Pre problematic joke: This movie feels like Adam Sandler should be attached to it somehow, I hate myself for enjoying it this much and that’s all you really need to know about that.
During problematic joke: Oh god they’re not going there are they? They went there. Oh god they went there again. FOR THE LOVE OF GOD WHY WON’T THEY STOP GOING THERE?!
Post problematic joke: I’m still horrified at the joke subject matter but somehow I’m back to laugh/crying. I need a shower to feel better about this.
The Leisure Seeker
What’s it about?
Ailing septuagenarians flee imminent nursing-home confinement by taking one final road trip in their beloved Winnebago.
What did we think?
Stephen Scott says: facing your impending death isn’t an everyday movie topic, and while The Leisure Seeker handles the topic with sensitivity and humour, the first half is meandering and turgid, seemingly to set up the far more entertaining second. Beautifully acted by Donald Sutherland as a retired professor in the final stages of dementia and Helen Mirren as his frail, doting wife, the film lacks the celebration of life it requires (and several opportunities exist within the film for these moments but are passed over for commentary on the frustration on human frailty).
Euthanasia advocates will appreciate this film, but people battling with depression would be advised to only see it with a friend.