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Goosebumps 2: Haunted Halloween

What’s it about?

While cleaning junk out of an old, abandoned house just before Halloween, some kids come across an old book and a ventriloquist dummy named Slappy. Spooky chaos ensues. Jack Black eventually turns up.

What did we think?

James Tinniswood says: ERMAGERD, GERSBERMS TER

I HERF TER ADMERT *clears throat* I have to admit I liked this more than I thought I would. It does have a bit of a “made-for-Nickelodeon sequel” feel, but it zips along at a good pace and I was never bored. And I liked that it (mostly) plays like a standalone Goosebumps story to the point where it (almost) didn’t need to go back to the meta “RL Stine is a character” well … until it does and reminds you it’s a sequel.

The kind of movie I would have liked the first Goosebumps to be and the third Jumanji to be. “Goosemanji”. Sony, call me, let’s talk.

Bad Times At The El Royale

Criminals, cool kids and cults. Can it come together?

In Like Flynn

What’s it about?
Root-rat movie-star Errol Flynn’s legend began long before Hollywoodland beckoned, as these adventures recollected from his biographical Beams End illustrate.

What did we think?
Stephen Scott says: In Like Flynn is a boys own adventure gone bad. It has all the elements of a successful movie: the director of Highlander, up-and-coming acting superstars (one is “the next Chris Hemsworth” I read somewhere), a David Wenham cameo (then again, his appearances make up 80% of the movies highlights), and the “true” life story of Errol Flynn … what could go wrong?

Oh, it’s awful. I honestly thought I was watching a 3rd year film students homage to Indiana Jones until Quint from Jaws turned up on the Sirocco. To be fair, aside from a handful of roaming accents, the acting isn’t too bad (with Clive Standen’s Charlie / Quint doing what he can to raise the standard alongside Wenham’s brilliant Dastardly Whiplash), but the script is as wooden and rotten as the boat they sail in, and the whole endeavour just ends up a misogynist try-hard mess.

Rent Highlander or Errol’s Captain Blood instead. This deserves to rest on the floor of the ocean alongside the boat it sunk in.

A Star is Born

What’s it about?
Jackson Maine (Bradley Cooper) is a mega famous rock star, who is dealing with alcoholism. He discovers Ally (Lady Gaga), and makes her a star.

What did we think?
Imogen Chapman says: B-Coops can sing! And direct! We already knew about the acting thing. In A Star is Born he also manages to do an excellent younger Jeff Bridges impersonation.

This is the 3rd remake of the classic 1937 film, but don’t expect a jazzy Hollywood musical. It’s emotionally raw, which gives you some incredible moments, but very occasionally causes the movie to lag.

Honestly, this is a surprisingly great movie. The songs are powerful, the performances are awesome, and I was actually moved by the story.

I’m not crying, you’re crying.

4.5/5

Venom

What’s it about?

Reporter Eddie Brock (Tom Hardy) is infected by an alien parasite that gives him superpowers, but shares control of his body.

What Did We Think?

Peter Linning says: Desperately hoping that you’ll assume it’s part of Marvel’s cinematic universe (look, we have a Stan Lee cameo and everything!) Venom is occasionally fun, but not nearly enough to warrant your time. The movie’s best moments are the interactions between Tom Hardy’s Eddie and the “symbiote”, as he discovers the nature of their shared living situation. Sadly these scenes are few and far between, buried in a poorly-written and awkwardly paced mess.

McKellen: Playing the Part

What’s it about?
A documentary about the famous actor.

What did we think?
Oliver Hetherington-Page says: Ian McKellen’s name will be forever linked to his roles in Lord of The Rings and/or X men. While these topics are covered in the documentary, it isn’t what the film is about at its heart. From the opening words of the piece “All the world’s a stage, and all the men and women merely players” we are made to think about the tragedy that lies at the heart of Mckellen. By exploring his life both on and off the stage we see a portrait man who is constantly playing a part. In some ways this film is just McKellen talking about his career an hour and half but this film is more than that. It is a self-written (if a bit premature) obituary to the 79-year-old Academy Award nominee.

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