Default – 2 Column

Rise of the Guardians

What’s it about?
When the evil spirit Pitch launches an assault on Earth, the Immortal Guardians team up to protect the innocence of children all around the world.

What did we think?
While very clever, the storyline in this animated flick is more for adults than children. Not to say they won’t enjoy it, but it’s not something they’ll rave about or even remember a day or two later. Interesting but not engaging. Grown-ups should find the plot intriguing and name-the-voice good fun.

Celeste and Jesse Forever

What’s it about?
Celeste (Rashida Jones) and Jesse (Andy Samberg) are the perfect couple. Well, except for the fact that they are getting divorced. Screening at selected cinemas.

What did we think?
Liz says: For all the cheesy romantic comedies that Hollywood churns out, there are those films that invert the genre with aching honesty and richly drawn characters. This is definitely the latter. A smart and original flick written by Jones herself, this is an intensely human portrayal of what comes after the happily ever after. There’s no big, romance-conquers-all, orchestra-swelling finale; no big, looking-back-on-moments-past-only-to-realise-you’re-really-in-love-with-your-ex-who-is-just-about-to-get-married-to-someone-else montage. This simple film needs no bells and whistles to prove that time really does heal all wounds.

The Man with the Iron Fists

What’s it about?
Heads, limbs and plausibility go bye-bye as a soundtrack of phat beatz bludgeons away in this homage to classic kung-fu cinema, written and directed by rapper, producer and Wu-Tang Clan merchandise seamstress RZA. In a jungle village, the confusingly named Jungle Village, where the hip-hopper strains – unconvincingly – to play a humble blacksmith, named Blacksmith, an old chap, Gold, is offed by his crooked henchmen, Silver and Bronze. A knife-brandishing English soldier, named (groan) Knife, turns up, oh, and there’s a big bloke who can turn his body into brass, and he’s named Brass Body, and … no, sorry, this is pointless.

What did we think?
Ben says: There’s no doubting RZA’s long-held passion for chopsocky – but he hasn’t created a film. This is as authentic as glupping Red Bull with Sushi Train. This is his indulgent mess of a wet dream. And it’s utter wank.

Pitch Perfect

What’s it about?
Beca (Anna Kendrick) isn’t the sociable type but somehow gets cajoled into joining a social activity group called the Bellas. They “sing songs without any instruments at all. It’s all from our mouths” (insert appropriate blonde giggle here). But the Bellas are going to have to switch up their tired repertoire if they want a shot at beating their rivals, the Treblemakers, at nationals.  

What did we think?
Liz says: This film is what you would get if you sucked Glee dry of all it’s sugary, saccharine nonsense and injected it full of sassy, smart dialogue and a twisted sense of humour. Rebel Wilson steals the show as Fat Amy and had people in my audience applauding nearly every time she was on screen. There are moments where Pitch Perfect verges on taking itself too seriously, but they are few and this flick has attitude.

Top 25 Teen Flicks of All Time

The final Twilight film is out, and everyone is happy. The fans get the final chapter, and people like me get the knowledge that there won’t be any more. Sorry, but I got 10 minutes into the first film and had to walk out. The pouting, the angst, the pouting. I had my share of teen movies when I was a teenager.

Which made me think – every generation has the chance to create the greatest teen movie of all time. Before they do so, they need to see what’s reached that pinnacle so they can stand on the shoulders of giants.

That said, open the curtains, roll the ads for the candy bar, dim the lights, and prepare to tell me where I got it totally wrong …

Top 25 Teen Flicks of All Time

  1. Ferris Bueller’s Day Off – no explanation needed. The ultimate teen film
  2. Kick Ass – because Chloë Grace Moretz KICKS ASS
  3. Grease – it’s a shame no one can be stranded at a drive-in anymore
  4. To Sir With Love – groundbreaking for its time, and still has the power to break your heart
  5. Rebel Without A Cause – the textbook on how to be a troubled teen
  6. Stand By Me – story by Stephen King, directed by Rob Reiner, cast included River Phoenix & Wil Wheaton. Hard to beat this calibre.
  7. Romeo + Juliet – Shakespeare rocketed into the 20th Century with some chap called Leonardo
  8. The Breakfast Club – high school is hell … welcome to purgatory
  9. The Wild One – Brando was so bad the film was banned in the UK
  10. Back to the Future – Doc! DeLorean! Making sure your parents pash!
  11. Fast Times at Ridgemont High – keeping in real in the 80’s
  12. Footloose – something the red states of the US should watch again ASAP
  13. Wayne’s World – Bohemian Rhapsody head banging … Schwing!
  14. Ghost World – awkward, outcast teens & geeks in the noughties
  15. Heathers – because nothing says “I love you” than murdering the cool kids who make fun of you
  16. Edward Scissorhands – because a best-of movie list without Johnny Depp isn’t a list
  17. Dead Poet’s Society – be inspired and jump on your desk before Robin Williams starts doing silly voices again
  18. Donnie Darko – I wasn’t sure if this should make the list, but there’s this rabbit sitting next to me who is very convincing
  19. Pump Up The Volume – before the internet, there was pirate radio. Talk hard!
  20. Romy & Michele’s High School Reunion – OMG, like, you know?
  21. American Pie – flautists were never looked at the same way again
  22. The Harry Potter Series – some films plod, but just watching the trio growing up (oh, those magical pains of puberty) warrants a mention
  23. Risky Business – Tom Cruise in underwear. Before he became a nut-job (allegedly)
  24. American Graffiti – yes kids, George Lucas made films aside from Star Wars
  25. Mean Girls – Heathers without the murders but balanced out with Lindsay Lohan
Honourable Mentions:
  • Superbad – McLovin’
  • Bend it Like Beckham – Keira Knightly playing football
  • I Know What You Did Last Summer – teenagers being murdered for fun
  • Fame – remember my name
  • Clueless – it’s Jane Austin, bitch!
  • 10 Things I Hate About You – it’s Shakespeare, bitch!
  • Easy A – it’s The Scarlet Letter, bitch!
  • Sixteen Candles – it sucks when everyone forgets your birthday
  • Scott Pilgrim vs. the World – who knew dating could be this dangerous?
  • Don’t Tell Mom the Babysitter’s Dead – because Christina Applegate
  • Zombieland – because Bill Murray. because zombies
  • Juno – the sobering side to teen sex
  • Teen Wolf – Michael’s a Fox appears again with some harmless fluff
Dishonourable Mentions:
  • Twilight – setting the image of the modern woman back 50 years
  • Crossroads – because Britney, bitch!
  • Porky’s – good idea, poorly made. American Pie got it right
  • Return to the Blue Lagoon – you’d think Hollywood would have learnt from their mistakes, wouldn’t you?
  • Step Up 1, 2 & 3 – speaking of mistakes … you really think a reason needs to be made?
C’mon. You’re dying to let me know what’s wrong here. The comments box is right there. I dare you.

Skyfall

What’s it about?
James Bond’s (Daniel Craig) loyalty to M (Judi Dench) is tested when a blast from her past bites her on the ass. Then, when MI6 is attacked by a cyber terrorist, things get all meta and Bond’s old-school secret service hand-to-hand combat is pitted against a high-tech, gadget-savvy villain (Javier Bardem).

What did we think?
Ben says: Bond and his frost-faced boss, M, are facing their most formidable threat, and no, it’s not Bardem’s unambiguously camp supervillain. No, it’s the risk of obsolescence – onscreen as well as off. Yet, with the pall of death bookending the 23rd film in the franchise – from the haunting Adele-crooned title sequence and opening plot gambit, to the most un-Bondlike maudlin final reel – there’s life yet in the spy and his series, both proving craggily endurable. By Skyfall’s climax, Craig’s 007 seems more dutiful son than lethal gallivanter this time, but plentiful winks to trademark tropes (my word, is that an exploding pen in your pocket?) will reassure viewers the Bond mix is only being stirred, not shaken.

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