Wreck-it Ralph
- By Anthony Sherratt
- 12 years ago
What’s it about?
A video game villain wants to be a hero and sets out to fulfill his dream, but his quest brings havoc to the whole arcade where he lives.
What did we think?
Anthony says: You could speak about how Wreck-It Ralph is wonderfully intelligent, cleverly cast, full of easter eggs and video game references but it’s just easier to say this movie is awesome fun. Truly for all ages and demographics, this is a flick that will leave you smiling for hours, if not days, afterwards.
I left the cinema buzzing and with a strong desire to play one of the video games featured in the movie. And I think I may have a new favourite Disney princess. See it!
Red Dawn (2012)
- By Anthony Sherratt
- 12 years ago
What’s it about?
Noth Korea invade the US. A group of teenagers get trained in a montage and fight back in a vigilante group.
What did we think?
Anthony says: With a flimsy plot, poor characterisations and giant leaps of credibility, Red Yawn (see what I did there?) has very little going for it. Chris Hemsworth does a good job if you ignore an inconsistent accent but everyone and everything else is highly forgettable. This collection of cliches is a terrible movie whether you’ve seen the original or not.
Rise of the Guardians
- By Anthony Sherratt
- 12 years ago
What’s it about?
When the evil spirit Pitch launches an assault on Earth, the Immortal Guardians team up to protect the innocence of children all around the world.
What did we think?
While very clever, the storyline in this animated flick is more for adults than children. Not to say they won’t enjoy it, but it’s not something they’ll rave about or even remember a day or two later. Interesting but not engaging. Grown-ups should find the plot intriguing and name-the-voice good fun.
Celeste and Jesse Forever
- By Elizabeth Best
- 12 years ago
What’s it about?
Celeste (Rashida Jones) and Jesse (Andy Samberg) are the perfect couple. Well, except for the fact that they are getting divorced. Screening at selected cinemas.
What did we think?
Liz says: For all the cheesy romantic comedies that Hollywood churns out, there are those films that invert the genre with aching honesty and richly drawn characters. This is definitely the latter. A smart and original flick written by Jones herself, this is an intensely human portrayal of what comes after the happily ever after. There’s no big, romance-conquers-all, orchestra-swelling finale; no big, looking-back-on-moments-past-only-to-realise-you’re-really-in-love-with-your-ex-who-is-just-about-to-get-married-to-someone-else montage. This simple film needs no bells and whistles to prove that time really does heal all wounds.
The Man with the Iron Fists
- By Elizabeth Best
- 12 years ago
What’s it about?
Heads, limbs and plausibility go bye-bye as a soundtrack of phat beatz bludgeons away in this homage to classic kung-fu cinema, written and directed by rapper, producer and Wu-Tang Clan merchandise seamstress RZA. In a jungle village, the confusingly named Jungle Village, where the hip-hopper strains – unconvincingly – to play a humble blacksmith, named Blacksmith, an old chap, Gold, is offed by his crooked henchmen, Silver and Bronze. A knife-brandishing English soldier, named (groan) Knife, turns up, oh, and there’s a big bloke who can turn his body into brass, and he’s named Brass Body, and … no, sorry, this is pointless.
What did we think?
Ben says: There’s no doubting RZA’s long-held passion for chopsocky – but he hasn’t created a film. This is as authentic as glupping Red Bull with Sushi Train. This is his indulgent mess of a wet dream. And it’s utter wank.
Pitch Perfect
- By Elizabeth Best
- 12 years ago
What’s it about?
Beca (Anna Kendrick) isn’t the sociable type but somehow gets cajoled into joining a social activity group called the Bellas. They “sing songs without any instruments at all. It’s all from our mouths” (insert appropriate blonde giggle here). But the Bellas are going to have to switch up their tired repertoire if they want a shot at beating their rivals, the Treblemakers, at nationals.
What did we think?
Liz says: This film is what you would get if you sucked Glee dry of all it’s sugary, saccharine nonsense and injected it full of sassy, smart dialogue and a twisted sense of humour. Rebel Wilson steals the show as Fat Amy and had people in my audience applauding nearly every time she was on screen. There are moments where Pitch Perfect verges on taking itself too seriously, but they are few and this flick has attitude.