What’s it about:
The great chateaux of Bordeaux struggle to accommodate the voracious appetite for their rare, expensive wines, which have become a powerful status symbol in booming China.

What did we think?
Cindy says: A film about the French red wine industry and the growing Chinese thirst for luxury goods?  Dry, right?  No.  Elegant, full-bodied, flamboyant, dense.  From the narration by Russell Crowe, whose dulcet tones may have left this viewer vibrating in her seat, to the sweeping views of the vineyards of Bordeaux, it is a delight.  The directors have bottled lessons in history, economics, marketing, China’s global reach, and the love of the world’s best red into a beautiful blend.  Even this teetotaller is now ready to fork out big bucks to experience whatever is in one of those magical bottles.  In the words of one of the Bordelais chateau owners, ‘Our aim shouldn’t be to impress people.  We should aim to please people’. And I am pleased to report this film does just that. Santé.

What’s it about?
Four high school mates are reluctantly dragged back to their home town by their former ringleader to re-create a night of drinking excess. And then robots happen. Except they aren’t robots.

What did we think?
Elizabeth says: The final installment in Simon Pegg and Edgar Wright’s Cornetto trilogy (Shaun of the Dead, Hot Fuzz) has all the laughs and offbeat comedy you expect from this duo, served with a hefty dollop of emotional resonance I wasn’t expecting.  A movie about dudes battling pseudo-robots (they’re roboty aliens who really don’t like to be called robots, see) that’s actually super relatable? That’s a win in my book.

What’s it about?
Julian (Ryan Gosling), a respected figure in the criminal underworld of Bangkok, runs a Thai boxing club and smuggling ring with his brother Billy who is suddenly murdered. Blah blah blah… Julian finds himself in the ultimate showdown.

What did we think?
Anthony Sherratt says: The producers are obviously relying on Gosling’s sex appeal because they didn’t bother polishing a story that is excessively padded, meandering and ridiculously pretentious. I’m not sure even God will forgive this slow and painful monstrosity of a movie.

What’s it about?
Based on the autobiographical novel, the tempestuous 6-year relationship between Liberace and his (much younger) lover, Scott Thorson, is recounted.

What did we think?
Cindy says: “Too much of a good thing is wonderful”. At the heart of this beautifully crafted film is excess, sex, but most of all, romance.  Michael Douglas and Matt Damon have incredible chemistry as Liberace and his ”baby boy” Scott Thorson.  Director Steven Soderbergh again deftly explores the truth of human emotion, while Douglas is particularly mesmerising and at times superbly unrecognisable.   The audience is treated to the sumptuous visual and aural feast that was the tragic love story spanning the last decade of the flamboyant entertainers final decade.  Sadly this magnificent and sparkly biopic will not grace the cinema screens in the US.  While it has secured a theatrical release here in Australia and Europe, American audiences will have to tune in to HBO, who stepped up with the cash to fund it after studios refused to commit, the actors were told that it would be a career ending project and the director was told it simply shouldn’t be made.  And as Soderbergh’s possible swan song, we have one more thing to thank HBO for giving us: pure entertainment gold.

What’s it about?
A police special forces team gets stranded halfway up a building full of very hostile, desperate and well-armed people.

What did we think?
Anthony Sherratt says: The Raid is what Hollywood action movies want to be when they grow up. This is nearly the perfect action movie. Amazing fight scenes, great plot and genuine suspense punctuate a fast-flowing adventure. You’re never sure who’s expendable and the refusal to follow traditional narrative paths for the first half of the movie only add to the sense of chaos and panic. Truly wonderful cinema.

Simply a must for action fans.

What’s it about?
Wolverine (Hugh Jackman) struggles with the death of his beloved Jean Grey (at his hands) before being dragged to Japan where a dying man drags him into a web of intrigue, action and forbidden love.

What did we think?
Anthony Sherratt says: A vast improvement on the first Wolverine solo movie but then again what wouldn’t have been? This version has a much more solid storyline and spends more time on the character. As such, Jackman’s Wolverine is half James Bond and part animal and the movie works the better for it.

It doesn’t reach any great heights and builds ot a comic book ending but is genuinely entertaining and likable. Some great fight scenes (except for the traintop rubbish) and interesting twists mean that not even diehard comic fans will mind the liberties taken with the original storyline it’s lossely based on.