What’s it about?
Set in 1944 and chronicling the origins of the Beat Generation, the film follows fresh-faced New Jersey poet’s son Allen Ginsberg (Daniel Radcliffe) to New York’s Columbia University, where he befriends the luminous, restless fellow student Lucien Carr (Dane DeHaan). Joined by William S. Burroughs and writer Jack Kerouac, the pair grapples with convention, burgeoning talent, literary ambition and the consequences of obsession.

What did we think?
Marnie says: From pretentious, stock-standard coming-of-age film beginnings Kill Your Darlings hits its stride when it takes a dark turn to become a gripping, nicely paced tale of infatuation and its aftermath. Behind another pair of distinctive glasses a committed Radcliffe acquits himself well but the true star is DeHaan, whose character’s pain and desperation is palpable. Whether or not you’re familiar with the Beat movement, the intriguing story and psychological drama will hold your attention until the end.

What did we think?
Dan says: The first Cloudy film was an exceptional piece of cinema. This film takes the characters you loved from the last film and shoe horns them into a second, more whimsical endeavour. Lovers of awful puns will delight in this eye-popping extravaganza but if you want some heart in your story you’re looking at the wrong reanimated corpse.

It’s not unpalatable and there are plenty of laughs but ultimately it feels like someone took some old brioche, truss tomatoes and wagyu beef and turned them into a McDonald’s burger.

What’s it about?
A  hapless delivery driver finds out that, during a rather active period as a sperm donor, he fathered more than 533 children. More than 100 of these now adult children petition the sperm bank to reveal their father’s identity. Will he come forward? Will he make a good dad?

What did we think?
Alex says: A remake of a 2011 French-Canadian film, Starbuck, Delivery Man is an unusual film. The warm-hearted, serious moments that are usually a cheesy drawback of “dropkick-proves-his-worth” comedies are actually the strengths of this film – though perhaps by default, because the laughs aren’t overly forthcoming. Parks & Recreations’ Chris Pratt is fine droll form as David’s lawyer but Vince Vaughn and Cobie Smulders aren’t at their best, guffaws-wise. Some genuinely touching scenes and good acting save this from being just another unnecessary US remake of a better foreign-language film.

What’s it about?
A sheltered, bullied girl unleashes telekinetic terror after being pushed too far.

What did we think?
This remake of Stephen King’s classic tale feels almost too faithful to the original and largely unnecessary. Julianne Moore is appropriately creepy as Carrie’s religious zealot mother, while Chloe Grace Moretz gives good crazy eye as Carrie. But were their efforts as believable and memorable as Piper Laurie’s and Sissy Spacek’s Oscar-nominated performances? No. And, frankly, we expected more from the director of Boys Don’t Cry, Kimberly Peirce.