What’s it about?
In 1983, a meek Australian footballer (Angus Sampson) is detained by local law enforcement for seven days, until he passes the heroin he is smuggling in his stomach.

What did we think?
Dominic Barlow says: For the first 45 minutes, the film is a dark comedy with a hapless, loveable hero under serious pressure. After that, things go from strangely funny to just strange, because we spend roughly as much time in the affairs of the no-good cops and crooks around him. There’s some nice period touches, with high-panted outfits and TVs tuned to the America’s Cup, to create a muddy feel of middle-class Australia. It’s also stacked with fine performances from the likes of Hugo Weaving, John Noble and Noni Hazelhurst. On the whole, though, it’s a grubby crime caper that doesn’t have much humour, and not much intrigue either.

What’s it about?
With humanity facing a ticking clock on earth, a band of scientists launch a mission to space to find a way to expand into the universe.

What did we think?
Anthony Sherratt says: During Interstellar I occasionally found myself reminded of the strong emotional impact that 2001: A Space Odyssey had on me as a child which was wonderful.  It took me awhile (luckily we had almost three hours) to realise that while it was emotive it was actually a little light on substance. Sure there are some interesting themes and thought provoking concepts (despite some highly theoretical science) but Interstellar’s greatest failing is its obvious US target demographic.

With WAY too much exposition and Nolan’s inexplicable and incessant need to wrap every little end up neatly, what starts out as a majestic movie capturing both the wonder and terror of being in space sadly finishes feeling like a cliched film from just about any genre. Is it good? Yes. Are the effects impressive? Hell yes. Will you enjoy it? Probably. Will you rush out to see it a second time? Doubtful.

What’s it about?
Rosie and Alex have been best friends since they were 5, so they couldn’t possibly be right for one another…or could they? When it comes to love, life and making the right choices, these two are their own worst enemies.

What did we think?
Anthony Sherratt says: Tender, earnest and sweet, Love Rosie is proof that when it comes to romantic comedies the UK always do it so much better. Even though it’s hardly perfect it still manages to portray more humanity than the average Hollywood formula. Love Rosie’s strength is not the predictable destination but of the almost whimsical journey it takes to get there.

Sam Clafin will inevitably be compared to Hugh Grant (he has many of the mannerisms down pat) but his chemistry with the talented Lily Collins only adds an extra later to a film that true romantics will not be able to get enough of. It certainly has some weaknesses but the characters and pacing gloss over the cracks and you’ll find your heartstrings tugged regardless.

What’s it about?
Keanu Reeves plays the titular character, a widower who seeks vengeance against the Russian mobsters that have stolen his car and killed his poor sweet dog.

What did we think?
Dominic Barlow says: Behold: a pulpy retribution flick that puts THE EQUALIZER to shame. This goes through similar story beats to Denzel Washington’s killing spree, but with a fun and refreshing simplicity. A cool neon glow pulsates all throughout its visuals, and the music occasionally makes odd choices that turns the blood-soaked battles into a hypnotic ballet. Through it all, Reeves spits fire as a guy who recognises but can’t help his own barbarism, and he’s backed by a terrific supporting cast that includes Willem Dafoe and John Leguizamo. It’s a revenge fantasy for those well-adjusted enough to understand the second part of that phrase.

What’s it about?
When their father passes away, four grown siblings are forced to return to their childhood home and live under the same roof together for a week, along with their over-sharing mother and an assortment of spouses, exes and might-have-beens.

What did we think?
Anthony Sherratt says: It’s intelligent, poignant and – to be honest – a little manipulative. Thankfully the tone is more thoughtful than preachy and the quality of the cast is incredible so you can forgive the occasional heavy handedness. Had the potential to be a lot more but it does manage to touch the heart if not fully engage the mind.

What’s it about?
It’s April 1945 in Germany and Sergeant Don “Wardaddy” Collier leads his crew and tank (named Fury) behind enemy lines. Norman Ellison (Logan Lerman) a clerk who’s been in the army eight weeks is assigned to Fury as their assistant driver as they move through Germany protecting key Allied strongholds.

What did we think?
Casey says: Graphic, confronting, revolting, and touching all at the same time, Fury shows the worst and the best of the people thrust unwillingly into war. I started watching this thinking it would be entertainment – a touching story of good triumphing over evil… with cool explosions. Instead I left the cinema thinking about what war has the capacity to do to people… aaaaaand marveling at the awesome explosions and disappearing heads.

What’s it about?
Jeremy Renner stars in the true story of a journalist who stumbled into the shady world of the CIA’s drug dealings in Venezuela during the Cold War. Investigating the story could be the opportunity of a lifetime but it risks cutting that lifetime short.

What did we think?
Dan says: This true story tells the horrifying reality of the grey areas in which the CIA has dealt in the past. For a film with such a shocking story to tell it seems to struggle to capture that tone. It feels like a shorter story stretched thin and long. Like drinking two big glasses of lite milk instead of one of full cream, I was getting all the goodness of the contents but it never seemed satisfying and by the end I was feeling decidedly bloated.

What’s it about?
Christine (Nicole Kidman) suffers from Guy Pearce syndrome a condition that results in her memory being erased whenever she sleeps. Whom can she trust when she can’t trust herself?

What did we think?
Elizabeth Best says: It’s Memento: Suburban Edition! Before I Go To Sleep is both a well-paced whodunnit and a sensitive depiction of living with severe illness. A few ridiculous bits of exposition are tempered by top-notch performances, especially by Colin Firth and a few genuinely nifty twists. For a film about memory loss, it’s pretty memorable. Sadly, even at a cracking 97 minutes, it’s still 10 minutes too long. When will writers learn that loose ends don’t all need to be bloody tied up?

What’s it about?
Big city lawyer Hank Palmer returns to his childhood home where his father, the town’s judge, is suspected of murder. Hank sets out to discover the truth and, along the way, reconnects with his estranged family.

What did we think?
Anthony Sherratt says: The first half of this movie is an overwhelming collection of cliches and stereotypes and it’s only the amazing performances of the truly impressive cast that keeps you on the hook. But somehow the second half of the movie actually manages to go a bit deeper, interspersing enough humour and pathos to leave you with a surprisingly satisfying ending.

What’s it about?
A new media letch with a poorly calibrated moral compass gets abducted. He is to be the subject of experiments to see if his humanity can be stripped from him if he is surgically transformed into a walrus.

What did we think?
Dan Beeston says: I’ve never seen a film where a fifth of the audience walked out and two fifths stayed right through the credits. This film is nothing if not divisive. Kevin Smith creates an eclectic parody of a horror film. It’s never scary but is appreciatively grotesque.

Justin Long is denied lines of dialogue as his character transforms – it’s probably a good thing as his character is neither likeable nor charismatically detestable. The Québécois detective is boring and pales in comparision to Michael Parks’ stellar performance.

Smith has re-embraced his independent beginnings and I’m glad this film exists but I think that he also needs a slightly firmer guiding hand.