What’s it about?
Egyptian prince Moses (Christian Bale) learns of his heritage with the enslaved Hebrews and leads them to rebel against his former brother, Pharoah Ramses II (Joel Edgerton).

What did we think?
Dominic Barlow says: Ridley Scott, director of Gladiator, attempts to bring both scope and realism to a dull myth that mostly happens outside the characters’ control, and unfortunately doesn’t do enough to change that. There are amazing sets and CGI galore, most appreciated when the plagues of hornets and red river-water sweep through Egypt, but the central conflict of the two brothers is flat and uninteresting. Everyone besides Bale either hams it up (Edgerton, Ben Mendelsohn as a mincing viceroy) or barely registers at all (Aaron Paul, Sigourney Weaver), making the film unsatisfying even at two-and-a-half hours.

What’s it about?
Serena (Jennifer Lawrence) is a beautiful but damaged women living in Depression-era South Carolina, swept up in a whirlwind romance by logging company owner George (Bradley Cooper). She will go to any lengths to protect her new-found life and happiness.

What did we think?
Alice Barbery says: It’s worth the price of admission just to watch Jennifer’s performance as Serena. This is a sensual film managing to manoeuvre through a complex plot with engaging style. All sins are paid for in this story and while the characters are flawed they remain sympathetic. In the end there are always consequences for actions, and these ensure audience is satisfied with all outcomes. You’ll leave feeling haunted by such an intimately shared depth of love, grief, desperation and ambition.

What’s is about?
Three male entrepreneurs (Jason Bateman, Charlie Day, Jason Sudeikis) are scammed out of their own start-up by a slick investor (Christoph Waltz), prompting an attempt to kidnap his hotheaded son (Chris Pine) and use the ransom to keep themselves afloat.

What did we think?
Dominic Barlow says: Terrible, but you’d expect nothing less from the film-maker behind such movies as That’s My Boy and We’re the Millers. When Charlie Day and Jason Sudeikis aren’t yabbering at each other, it’s dispensing thuddingly dumb jokes that are sometimes just bold-faced sexism and racism. The caper sequences toward the end have some visual creativity, and the supporting actors (particularly Chris Pine) seem to be having fun, but it’s not nearly enough to make the movie worth seeing.

What’s it about?
In modern-day Texas, three compromised families are fraught with lust, change and despair as they navigate the world found online and off.

What did we think?
Dominic Barlow says: In this soothingly intimate and captivating film, Reitman (the director of Juno and Up in the Air) pulls together various stories in a sincere bid to understand how technology is infused into our lives, by visually representing the characters’ text messages and computer desktops with great flair. His broad approach can sometimes become disaffecting, particularly with a motif involving an intergalactic satellite and narration by Emma Thompson, but his amazing cast of actors (which includes the likes of Adam Sandler, Jennifer Garner and Judy Greer) give highly engaging and nuanced performances. It’s unabashedly dramatic, but also quite humorous and much more self-aware than many reviewers give it credit for.

What’s it about?
A thief who witnesses an accident starts a business filming incidents and selling them to local news.

What did we think?
Imogen Chapman says: Jake Gylenhaal is excellent at two things: being super beautiful, and playing intense weirdos. He’s serving the latter in Nightcrawler, and it’s definitely one of his creepy best. This is the kind of movie that will make you feel so morally uncomfortable at what you see happening that you’ll need to take a shower. That being said, it’s amazing. It’s the kind of movie that you keep thinking about for days afterwards. I can still kind of feel JG’s giant eyes staring at me…

What’s it about?
Having been thrust into the the spotlight as the reluctant face of the rebellion, Katniss must help inspire others to overthrow the Capitol.

What did we think?
Elizabeth says: It’s all a bit lather, rinse, repeat at this point of the franchise: Katniss looks horrified at something the Capitol did, Katniss gets upset, Katniss channels her upset into anger, Katniss attacks. Katniss looks horrified again, Katniss gets upset again. Lather. Rinse. Repeat. It may have made commercial sense to cut the final book of the trilogy into two parts but it leaves us without the payoff this installment sorely needed. It’s entertaining enough and fans will love it regardless of what anyone says but without it’s predecessors, this mockingjay wouldn’t fly.

What’s it about?
Agatha (Mia Wasikowska) the exiled daughter of a Hollywood power couple (John Cusack and Olivia Williams) returns to LA to reconnect with her famous younger brother (Evan Bird). Violence pursues those around her, including a frustrated actor turned chauffeur (Robert Pattinson) and fading star Havana Segrand (Julianne Moore).

What did we think?
Scott Ford says: A cavalcade of stars, commentary on celebrity and self-help, incest and tween violence — director David Cronenberg has packed a lot into this film, but nothing sticks. The plot, which gestures at classical tragedy and references surrealist poetry, is often advanced by the appearance of exposition-spewing phantoms and is entirely forgettable.

Cronenberg’s direction is excellent as ever, dancing the line between alienation and intimacy. The dialogue between tween superstars is a reminder of his talent for making discomfiture compelling. But there are also more than a few regrettable moments. Maps to the Stars is a lot adding up to not much.

What’s it about?
Alexander has more terrible days than most, especially compared to the rest of his ‘perfect’ family. Wishing on his birthday that they could experience the sort of day that he normally has, Liar Liar-style, they do.

What did we think?
Rob O’Connor says: Surprisingly amusing! This live-action Disney family film is loosely based on a popular children’s book, so our expectations were low – happily they were exceeded. While so many of these films feature idiot parents, bratty kids and a story aimed at selling Happy Meals, Alexander avoids all that, delivering a nice message about families sticking together.

The jokes were well spread over our posse (9yo, 13yo and parents) and there were enough quality laughs for all for a pass mark. The cast, which include Steve Carell and Jennifer Garner, are dependable but not stretched. The film is good, single-view, inoffensive, forgettable family fun for 7 year olds and up. That’s definitely better than most films in this genre.

What’s it about?
Two friends dress up as policeman and get carried away when they get mistaken for the real thing.

What did we think?
What do you get when you have a cop movie without cops? This.  With a simple premise, Let’s Be Cops is really a one-joke wonder trading off the popularity of TV’s New Girl. And for fans of the show that’s probably gong to be enough. Nick and Coach…. er… I mean Jake Johnson and Damon Wayans are likable (and rather similar to their small screen characters) but there’s just not enough in the script for anyone.

For non-New Girl fans, the first half of the movie is sort of okay but it just runs out of direction and laughs. After awhile it feels like you’re the one doing time. Don’t do the crime kids.

What it’s about?
Set in the working-class streets of Brooklyn, Bob Saginowski (Tom Hardy) is an unassuming bartender working at his cousin’s bar that operates as a “drop” taking illegal cash deposits from the Mafia.

What do we think?
Andrew Stewart says: This is a movie that builds slowly, storing small pieces of intense energy away until the pressure gets too much and it explodes all over the screen in the most satisfying way. The ending is gripping and is a fitting crescendo to the complex character development carefully crafted throughout. Both Hardy and the late James Gandolfini (The Sopranos) make this mobster thriller worth seeing.