What’s it about:
A drone-led terrorist capture mission in Kenya takes an unexpected turn, throwing up an intriguing ethical dilemma for all those involved. In one of his last roles, Alan Rickman plays a typically cynical general, with Captain Phillips’ Barked Abdi in a pivotal on-the-ground role.

What did we think: 
Angela Young says: This extraordinarily-gripping thriller keeps you guessing and mulling all the way, as you see through the eyes of the frankly bizarre world of modern remote warfare, tiny beetle drones and all. Superb performances from a global cast and an excellent script combine to make this a winner that’ll leave your cogs turning long after you leave the cinema.

It’s got Helen Mirren and Alan Rickman in it. That should tell you all you need to know.

What’s it about?
Nia Vardalos, John Corbett and the rest of the cast of 2002’s My Big Fat Greek Wedding return for a sequel involving (who’d have thought?) ANOTHER big fat Greek wedding.

What did we think?
Amy Currie says: This film is basically a montage of the entire cast running from one event to another in a very wacky panic. They wave their arms around a lot and pull faces. Man, what a bunch of characters! Family, am I right? Oh, boy.

What’s it about?
Ideologies clash as the world’s only two public superheroes come to words then blows. But is there more afoot?

What did we think?
Anthony Sherratt says: At the end of the day you go to this movie to watch the two SuperFriends fight and/or to see Wonder Woman finally debut on the big screen. You will not be disappointed on either count. It just takes a while to get there.

For a long movie there’s not as much action as you’d expect but once it finally arrives it’s well worth the wait. The first half of the film suffers from a heck of lot of sub-plots, exposition and lingering shots of Superman as a messianic figure. The conflicting ideas of Superman being above the law, an alien and a hero to all are reasonably well explored and exploited even if Jessie Esienberg’s xenophobic Lex Luthor is more psychotic Joker than measured intellect. Affleck does well as an older, jaded Batman though his propensity to use guns and kill people sits oddly, while Gal Gadot would have stolen the show if she’d been used more.

DC is obviously playing movie catch up and trying to pack so much set-up into the front half of this film detracts from what should have been a quality gritty superhero film that lacked the whimsical one-liners of the Marvel universe.  Still it was enjoyable and ends with the promise of so much more. Avoid spoilers and see it early.

What’s it about:
After waking up in a cellar after a car accident, Michelle (Mary Elizabeth Winstead) is told that the surface of the Earth isn’t habitable. However, her trust in her saviour, Howard (John Goodman), is shaken when circumstances take a turn for the worst.

What did we think:
Nick Bleeker says: An utterly thrilling and claustrophobic debut from Trachtenberg who keeps everything extremely precise and in-check. Goodman takes the film by the scruff of the neck and drops an MVP-level performance. I recommend you go into this cold for an infinitely more satisfying experience.

What’s it about?
Under a city’s dark underbelly, the Russian mob extort a crew of ex-military into an impossible bank heist. Everything goes right, until everything goes wrong.

What did we think?
Stephen Scott says: Even with 90 minutes of jaw-clenching unnervingness and 25 minutes of smouldering acting there’s just one small problem. There’s no actual ending. There’s a plot, some twists, but no resolution. You leave the cinema with a feeling of dread.

If you’re happy to watch a movie filled to the brim with tension but no resolution, go see it. Otherwise you should …

SEE? See what I mean?

What’s it about?
After a devastating accident, soon after the conclusion of the last film, Derek Zoolander went into hiding from society. But when Billy Zane delivers an invitation for him to be in the biggest fashion show in the world, Zoolander decides to get his life back together, with a little help from his old friend, Hansel.

What did we think?
Francesca Percy says: The key to enjoying this film is to lower your expectations – it had little to no chance of matching the genius of the first film. It is, however, a nice homage. There are enough genuine laugh out loud moments to keep you engaged, some fun cameos and enough of a plot to tie it all together. But let’s all hope they don’t do Zoolander 3.

What’s it about?
A wise-cracking former Special Forces operative turned mercenary is subjected to a rogue experiment that leaves him with accelerated healing powers, leading him to adopt the alter ego Deadpool.

What did we think?
Anthony Sherratt says: For a non-family friendly movie, Deadpool is surprisingly gleeful. Sure yes, there’s lots of gruesome violence and full frontal nudity but the laughs are nearly non-stop. Fans of the comic Deadpool will love the irreverent and self-referential Wade Wilson who alternates between breaking the fourth wall and breaking faces in what could be the most faithful comic book adaptation yet.

It’s not a perfect film – for a character determined to subvert the paradigm the movie is surprisingly formulaic, there’s no love at all for the representation of Colossus and the talented Morena Baccarin morphs from a fascinating independent character to a damsel in distress – but the unrelenting humour and action more than compensates.

Make sure you pay attention from the very start and read every word of the opening credits.

What’s it about?
A body has been stolen from the morgue. Tribune Clavius is the hard-boiled Italian detective put on the case. A left-wing revolutionary faction is the prime suspect, but the truth will have Clavius questioning everything he ever knew about life … and the afterlife.

What did we think?
Dan says: Imagine Sergeant Smith from The Bill was cast back in time and tasked to find the disappeared body of Jesus Christ. A police procedural into one of the most unbelievable get-a-ways of all time. The tone of the film flip-flops as much as the accents, but Joseph Fiennes grounds it and keeps it on track.

What’s it about?
Based on Emma Donoghue’s best-selling book, this is the story of a Joseph Fritzl-style kidnapping, with a 24-year-old (Brie Larson) trapped inside a pervert’s shed with the five-year-old son she conceived with her captor. We learn about the world of Room through a child’s eyes, and follow them as they make to escape.
What did we think?
Angela Young says: Donoghue’s book is an absolute corker (should have won the Booker in my not so humble opinion) and, thanks to her scripting of the film, this is a corker too. Jacob Tremblay is a dream as the adorable Jack, whose bond with the only person in his whole world, Ma, is palpable. Ambitiously covering a period beyond the book, this beautifully understated film (minus any Hollywood hyperbole and dramatic bullshit) nails it. Take some tissues and enjoy the ride as Jack and his Ma encounter the real world, with all the confusion and heartbreak that entails.