What’s it about?
An advertising executive (Will Smith) totally shuts down when tragedy strikes. His “concerned” friends (Kate Winslet, Edward Norton, Michael Pena) try to help when he starts questioning the universe and writing letters to the concept of Time, Death and Love.

What did we think?
Elizabeth Best says: The intriguing trailer for this film is a lie. The concept, so artfully set up in the preview, is destroyed minutes into the film, creating a jarring effect that leaves a bitter, mean-spirited aftertaste. Collateral Beauty is emotionally manipulative, and seems to be created specifically to tug so fucking hard on heartstrings that it makes some kind of discordant non-musical cacophony of awfulness. It’s a movie purely about emotions that feels like it was made by someone who doesn’t understand how to human AT ALL. It gets two stars for what I thought the concept was, and the rest of the three taken off for what the actual movie robbed me of.

What’s it about?
A condemned man is rescued to take part in an experiment that allows him to connect to his ancestor’s memories using science… What? Really? How on Earth does that even…? Okay, Fine. That’s the story.

What we thought
Dan Beeston says:
I’m not sure if it was a problem with the mix but the film was SO LOUD that I felt flattened. The images flash by like they’re trying to cure Malcolm McDowell of his violent tendencies. No character seems sympathetic or even interesting. The story makes no sense. This film made me feel like a grandfather trying to program a VCR at a rave concert. The experience was a physical torture and I had to walk out after an hour.

Fuck this film

What’s it about?
We learn about the early days of iconic outback canine Red Dog, and follow his adventures with his first ever BFF in this Aussie prequel.

What did we think?
Angela Young says: If you’re a softie, a dog lover, or you just don’t have a heart of stone, you probably loved the original Red Dog film. That loyal streak of red fluff who stole an outback town’s heart and gave a much-needed boost to the Australian film industry. Well, now we’re learning all about how he came to be out bush in the first place, and while it’s not quite such a heart-tugger as the first one, you’re probably going to still need some tissues if you go, and I recommend you do. Sterling effort from lead teenager Levi Miller (though Bryan Brown’s a bit iffy, sadly), but it’s the gorgeous Phoenix that steals the show as a four-legged star in the making.

What’s it about?
Holy nostalgic cash-in! Adam West’s Batman returns in all his camp glory! Facing more villainous villainy than Aunt Harriet can begin to imagine!
What did we think?
Stephen Scott says: If you love 60s Batman, this will wipe away the pain of having to endure the histrionic horror of Batman V Superman forever. With three original cast; winks to the classic beyond-bad staging techniques; decent impressions of Penguin & Joker; and a storyline as lame as the originals; it’s a blast that matches, and occasionally exceeds expectations. It’s brave, bold, stupid fun.

What’s it about?
Wholesome Stanford student Stephanie (Zoey Deutch) has a new eccentric (and utterly loaded) boyfriend (James Franco), and super-close Daddy (Bryan Cranston) is struggling to come to terms with the latest development in his little girl’s life.

What did we think?
Angela Young says: I went in with very low expectations, and was actually pleasantly surprised by this crass comedy. The basis for the story has been done to death, sure, but it’s been given a 2016 edge, and the performances, even from Franco, are really good. Special nod to little brother Scotty (played by Griffin Gluck) who is a scream, and to Keegan-Michael Key’s outrageous but loveable Gustave. Watch out, too, for some class lines from Megan Mullally as mum Barb. It’s a frankly hilarious script, as long as you don’t mind the f-word. And I don’t. I love it. Not something to watch with your own ma and pa, though, I’d wager.

What’s it about?
A Polynesian princess yearns for the open sea and when her island begins to die she embraces the opportunity to seek out the help of the demigod Maui and insist that he return the heart of the world.

What we thought
Dan says:
The stories of ancient tribal cultures tend to get lost in the flash and glitz of 21st century storytelling but Disney have a lot of skill redrafting ‘olde tales’. Moana is exceptional cinema. Lavish scenes, vibrant heartfelt characters and joyous songs combine in that Disney style to share the tales of another whole new world.

Like all of the Disney products there is a sprinkling of shoehorned emotional moments that could have hit the cutting room floor but in total it’s entirely satisfying. I’m still humming the songs and counting down the days until it opens and I can see it again.

What’s it about?
A Canadian airman working for the British forces in World War 2 meets a beautiful hero from the french resistance. The pair go deep undercover to assassinate a german target but end up storming the beaches of each other’s hearts.

What we thought
Dan Beeston says: A lot has been made of Brad Pitt’s separation from his wife, and rumours have abounded that Pitt had a secret dalliance with his on screen partner Marion Cotillard. Put those rumours to bed by watching just how little chemistry these characters have together. Every escalation in their relationship seems forced and unnatural. Some would say that we’re still feeling the tragic effects of World War 2. This film makes me agree.

What’s it about? 

A down-on-his-luck milkshake machine salesman (Michael Keaton) comes across a hamburger joint that’s revolutionized fast food and has an idea on how to get involved in the business in a big way. A.k.a: the story of how an asshole came to claim he was the founder of McDonalds.

What did we think?

Elizabeth Best says: I always thought Ray Kroc was the founder of good old Maccas, but it turns out I was wrong… and sort of right. Ray “won” the right to call himself founder through a lot of clever assholery and fast talking that has to be seen to be believed. Here’s hoping the “Oscar buzz” for Keaton turns out to be true, as this is a fine performance to follow his turns in other nominated films Spotlight and Birdman. For a thoroughly fascinating movie on the origins of McDonalds, the story sure left a bad taste in my mouth. So much so that I’m boycotting them… at least, until I smell someone eating a delicious cheeseburger.

What’s it about?
Eccentric magizoologist Newt Scamander (Eddie Redmayne) misplaces an enchanted suitcase in 1920s New York. An extremely profitable franchise is unleashed.

What did we think?
Amy Currie says: Hey, you guys like Harry Potter? Then I’ve got good news. Fantastic Beasts is the worthy spin-off that you’re going to be really into for the next ten years or so. While it’s darker than the original films, it’s packed with subtle little nods to them that fans will adore, and the story (though somewhat complicated) is good enough to stand alone. It’s tremendous fun to see the wizarding world through a 1920s lens – magical speakeasy, anyone? – and the inhabitants of Scamander’s Pokeball-meets-TARDIS suitcase are just as fantastic as advertised. This film will frighten young children, but everyone else will be thoroughly enchanted.

What’s it about?
Aliens make contact with earth and Amy Adams is the only person who can speak their language

What did we think?
Nick Bleeker says: An incredibly tense and engrossing film, Arrival subverts the traditional sci-fi blockbuster with a gorgeous mix of cinematography, direction, and really solid narrative. Add Amy Adams’ absolutely stunning performance and you have one of the best movies of 2016.