What’s it about?
Two women, a man, a boy approaching manhood and a girl becoming a woman face their own crisis of confidence in that short burst of creativity during the late 70’s when punk flared then disappeared as quickly as it came. At its core, a 55 year-old mother is frustrated at her perceived inability to raise her 15 year-old son into manhood.

What did we think?
Stephen Scott says: Coming of age isn’t only for pre-pubescents. The revelations of this share-house-moulded, psuedo-intergenerational family prove it. An endearing exploration of how an individual’s response to the realisation of “this is as good as it gets” changes – with a sharp focus on the pivotal point of puberty via 15, 17 & 24 year-old perspectives.

It’s vexing pinpointing what is so enthralling about this nebulous reflection on everything and nothing. Perhaps it’s best left to the bohemian Abbie’s wistful explanation of the musical ineptitude of punk musicians: “it’s really interesting what happens when your passion is bigger than the tools you have to deal with it. It creates this energy that’s raw. Isn’t it great?”.

What’s it about?
Mitch Buchanan (Dwayne Johnson) is the ultimate boy scout of lifeguards. But when illegal drugs threaten the sanctity of his bay, he and his team take it upon themselves to expose the criminal plot.

What did we think?
Lisa Clifford says: I really wanted to like this one. I used to love watching the cheesy 90s original and I even appreciate the genial charms of Dwayne Johnson and Zac Efron. But by the mid-way mark, I was ready to raise an arm and call for somebody to ‘saaaaaaaaaaave me’ (*cue theme song*).

Despite a few laughs and a LOT of gratuitous (but equal opportunity!) body shots, Baywatch suffers a MAJOR identity crisis that causes a lack of cohesion. Is it a re-boot? A parody of the original? Or an awkward continuation of the original Baywatch universe, where the ‘new class’ of lifeguards have the have the exact same names as their predecessors for some bizarre reason? Good luck trying to figure it out, because I doubt anyone involved with the movie has yet.

What’s it about? 
Tony (Jim Broadbent) leads a reclusive, curmudgeonly existence until a letter from his past resurfaces and forces him to confront his flawed recollections of his past in the film adaptation of Julian Barnes’ Man Booker Prize-winning novel.

What’s it about?
A girl who’s just been dumped takes her mum on her romantic trip to Equador after she realises the tickets are non-refundable. They get kidnapped.

What’s it about?
Set to the backdrop of Awesome Mixtape #2, ‘Guardians of the Galaxy Vol. 2’ continues the team’s adventures as they unravel the mystery of Peter Quill’s true parentage.

What did we think?
Anthony Sherratt says: The much-anticipated sequel to Guardians Of The Galaxy was always going to feature a plethora of one-liners and an awesome soundtrack and it certainly delivers on those. But while it’s heavy on laughs, it’s light on story. Almost two-and-a-half hours is a long running time and even more so when you consider just how little plot exists. Despite this, it’s incredibly entertaining and you will laugh for nearly the entire movie so it will once again make a squillion dollars despite the shortcomings. Between the laughs (most of which are delivered by Draxx, Rocket and Baby Groot this time around) and the cuteness (Baby Groot steals nearly every scene he’s in), there’s a lot to like about GotG2, but sadly the story – and ensuing replayability – is not one of them. And there are FIVE post-credit scenes and only one of them is actually worth sitting there for. Flat ending to the fun.

What’s it about?
A bunch of people meet in a warehouse for a weapons deal. Shots are fired and shit gets real in real time.

What did we think? 
Elizabeth Best says: Ever wanted to skip the beginning boring part of a movie and get right to the climax? Free Fire is ALL CLIMAX; an hour and a half of gangsters shooting the shit out of each other, on a claustrophobic set. It’s tense, it’s exciting, it’s even gross in bits. It has a touch of the Reservoir Dogs about it except without the flashbacks. Only thing is, the flashbacks (ironically) are what move the story forwards and without them, the bullet fatigue eventually sets in. The concept is truly kick-ass, it’s just a shame they didn’t do a bit more with it.