What’s it about?
Flash McQueen is back with his friends racing, learning and interacting with a world OBVIOUSLY made for characters who have hands despite the fact that NOBODY has any hands. I mean seriously! Doesn’t this bother anyone else?!

What we thought
Dan says: Nascar itself isn’t this boring. At least it’s supposed to go around and around without actually getting anywhere. Part of the story involves embracing the love of what you do and rejecting selling out. The irony was not lost on me.

What’s it about?
The story of successful nineties gangster rapper Tupac Shakur before he became a hologram.

What did we think?
Dan Beeston says: The tale told here is so one-sided it feels like the other two sections of the Rashomon went missing. Tupac is portrayed as a cultural leader for whom butter wouldn’t melt in his mouth, and then justifying his abuse of the trappings of his success. Like that one kid who’d plead “I was hanging out with the bad kids sure, but I’ve never done anything bad myself”.

There’s a lot of information and swearing to get through. Tonally it often feels cartoonish. You could almost cast Samuel L. Jackson in every single part and it would only make it slightly more comical. But the viewers job isn’t to cast judgement. It’s to delight in the tale of this version of Tupac. To revel in his heroism. Add an extra star if you’re West Coast 4 EVR.

What’s it about?
A bachelorette weekend turns nasty when someone accidentally kills a stripper.

What’s it about?
After losing his job, Gru meets his long-lost charming, cheerful, and more successful twin brother Dru who wants to team up with him for one last criminal heist.

What did we think?
Fans of the minions will be a bit disappointed in DM3 as the banana-loving yellow henchmen don’t feature as much as previous instalments. Most adults will also be disappointed as that means the weak storyline has to be carried by a two-dimensional version of Gru. The best parts of a movie (from an adult perspective) is 80s jokes and a wicked 80s soundtrack but there’s not much else to talk about. Perhaps having three directors is to blame for the lack of a central theme but there’s still mindless fun on show as the kids laughed and were left happy and that is the primary audience. The Minions sequel (due 2020) will need to be better than this for the franchise.

What’s it about?
Greg is a typical millennial with a knack for getting himself into trouble. His loving mother forces the family on a road trip to Grandma’s house.

What we thought
Dan says: The problem with road trip films is that they end up feeling like a bunch of sketches all lined up. Only four of the scenes in the film are required to understand the story and the rest could be shuffled or removed and it wouldn’t be noticed. Some of these scenes are funny. Some are needlessly scatological. Perhaps vomiting on someone’s face is funnier on the page than in full technicolour. At the end of the day this just doesn’t feel like proper movie.

What’s it about?
Welcome to a world of gods and monsters! It’s Tom Cruise and ‘our’ Rusty helming Universal Studios own interpretation of a “Marvel Universe” cash-cow using the old (classic horror aka the curse of the mummy) and the new (shit-loads of CGI).

What did we think?
Stephen Scott says: Just like a one-night-stand, you get exactly what you expect: a good time that’s quickly forgotten. Tom is Indiana Jones reincarnated as a sledgehammer that’s been born into a Michael Bay wet dream of ACTION ACTION ACTION! It’s a great way to spend a couple of hours (the plane flight sequence is worth admission alone) with some fun twists, and plot holes as large as the archeological pits they skip over.

What is it about?
Amazon princess Diana (Gal Gadot) lives on an island paradise hidden from the world, where she trains as a warrior. When Steve Trevor (Chris Pine) crashes and tells Diana of the war raging in the outside world, she joins him, believing she is destined to bring it to an end.

What did we think?
Francesca Percy says: “Well,” I said hopefully, as we walked into the cinema, “it can’t be any worse than Batman vs Superman!” And let’s all breathe a sigh of relief, because not only is it better than that best-forgotten shambles, Wonder Woman is actually really very good. Director Patty Jenkins has created a world with well-rounded characters, a clear, well-developed plot (hallelujah!), action, drama, comedy and heart.

What’s it about?
In a near-future society, people can have timers implanted that let them countdown to when they’ll meet their soulmate. But should we know? And how do people – and society as a whole – react to the change in dynamic?

What did we think?
Anthony Sherratt says: One of those rare films that poses thought-provoking questions without becoming preachy with answers. In fact a lot of the questions – both subtle and directly – are wonderful explorations about romantic expectations and attitude. Emma Caulfield is incredible as a girl feeling the pressure of finding a soulmate in a world where science has supposedly found a way to guarantee knowing your soulmate. But is love still powerful without mystery? A delightful independent flick that connoisseurs (and sociologists) will enjoy. Not to mention the romantics of course.