What’s it about?
Well you see there’s a Detective who’s just hit 40 and is questioning what to do with his life. Then there’s a widower living her dreams, but wondering if she’s doing everything she’s meant to. And then there’s this old guy who’s just trying to be the best travelling salesmen he can be. Or maybe he’s lying about that and really just likes to rob banks. Whichever one he is, he’s a charmer.

What did we think?
Stephen Scott says: Surprisingly, for a ‘mostly true’ tale about a charming criminal, this is a story about ordinary people. It’s a love story, and it’s about finding happiness by doing what you love.

There is a delightful attention to detail in the telling of this tale, which, coupled with Redford’s brazen confidence as the untouchable Forrest Tucker, weaves a story that confounds you with contradictions of character.

After all, is a thief really that bad a person if he’s stolen your heart?

Footnote: If you think this review goes a bridge too far with references to a certain legend’s career, wait till you see how the river runs through this flick. You’d need all the Presidents men to help you unravel the sting.

What’s it about?
A chronicle of one of the most influential rock-pop bands of the 20th century, Queen and its flamboyant lead singer Freddie Mercury. Focusing more on Freddie, this biopic ranges from the group forming from the remnants of SMILE and provides glimpses of the years leading up to Queen’s legendary appearance at the Live Aid (1985) concert.

What did we think?
Anthony Sherratt says: Imagine flicking through a thick, detailed book about the history of Queen and Freddie Mercury. Not reading: just flicking through and reading a page or so at random here and there. And then flicking backwards occasionally so you’re reading out of order. That’s kind of what you get with Bohemian Rhapsody. It’s still fascinating but feels somewhat superficial and you can’t help but feel it should have been more. The movie takes liberties with chronology both musically and factually which will annoy a diehard Queen fan, but it has to be said it’s still a satisfying movie emotionally. The performances are fantastic, the music is electrifying and the heart is there even if finer details aren’t. The exploration of the paradox that was Freddie – a flamboyant performer who off-stage was shy and never identified as cool – is going to be enough for most as the familiar songs paper over a lot of the cracks. The adherence to a formulaic biopic is irritating – and almost UnFreddie like – but I enjoyed it despite the failings.  

My biggest criticism was that the ending isn’t right. Frustratingly, a simple info card covering the six years between where the film ended and the info card they did display, would have addressed the issues. If you’re a Queen fan you might be disappointed with points here and there but not the overall picture.  4/5

Amy Curran says: This long-awaited film didn’t quite rock me. The music is great, of course – it’s the script that’s the problem. It’s all obvious foreshadowing, simplified characters and cinematic licence. While it dutifully checks off its mandatory rock movie moments, it does so in a very timid, overly respectful way. Any hint of debauchery is politely alluded to rather than explicitly depicted, and the film suffers for it. That said, Malek is excellent, his bandmates are well cast (Gwilym Lee’s Brian May is particularly spot on) and the incredibly faithful re-creation of the 1985 Live Aid concert at Wembley stadium is truly spectacular. Despite its flaws, it’s worth seeing. 3/5

Andrew Danyals says: Queen had not one, not two but three albums of greatest hits. Trying to choose a small list of favourite songs would be like trying to fit twenty years of fascinating and often bizarre stories into a single film. It’s inevitable that this biopic glosses over so many things. In fact there are so many things they just leave out altogether (where is the legendary Bowie studio meeting? Or Michael Jackson and his llama? The dwarves were alluded to but not shown!). Despite this, BoRap is a great movie. Not because of anything technical – there it sometimes fails – but because it taps into your emotions. You lose yourself in Rami Malek’s incredible portrayal of Freddie and you lose yourself in the music. And that’s all that really matters. Love Queen? See the movie. 4.6/5

What’s it about?
Mike Myers (the bad one) returns to Haddonfield to wreak havoc on the one night of the year that it feels mostly okay to do so.

What did we think?
Nick John Bleeker says: I walked into the cinema thinking I could handle it and came out of the cinema so horribly wrong. Halloween doesn’t really present anything too fresh, but Jamie Lee Curtis is great and David Gordon Green’s handle on the source material is incredibly solid, and I did kinda shit myself thanks to some of the scares.

3.5 / 5 stars

What’s it about?

While cleaning junk out of an old, abandoned house just before Halloween, some kids come across an old book and a ventriloquist dummy named Slappy. Spooky chaos ensues. Jack Black eventually turns up.

What did we think?

James Tinniswood says: ERMAGERD, GERSBERMS TER

I HERF TER ADMERT *clears throat* I have to admit I liked this more than I thought I would. It does have a bit of a “made-for-Nickelodeon sequel” feel, but it zips along at a good pace and I was never bored. And I liked that it (mostly) plays like a standalone Goosebumps story to the point where it (almost) didn’t need to go back to the meta “RL Stine is a character” well … until it does and reminds you it’s a sequel.

The kind of movie I would have liked the first Goosebumps to be and the third Jumanji to be. “Goosemanji”. Sony, call me, let’s talk.

What’s it about?
Root-rat movie-star Errol Flynn’s legend began long before Hollywoodland beckoned, as these adventures recollected from his biographical Beams End illustrate.

What did we think?
Stephen Scott says: In Like Flynn is a boys own adventure gone bad. It has all the elements of a successful movie: the director of Highlander, up-and-coming acting superstars (one is “the next Chris Hemsworth” I read somewhere), a David Wenham cameo (then again, his appearances make up 80% of the movies highlights), and the “true” life story of Errol Flynn … what could go wrong?

Oh, it’s awful. I honestly thought I was watching a 3rd year film students homage to Indiana Jones until Quint from Jaws turned up on the Sirocco. To be fair, aside from a handful of roaming accents, the acting isn’t too bad (with Clive Standen’s Charlie / Quint doing what he can to raise the standard alongside Wenham’s brilliant Dastardly Whiplash), but the script is as wooden and rotten as the boat they sail in, and the whole endeavour just ends up a misogynist try-hard mess.

Rent Highlander or Errol’s Captain Blood instead. This deserves to rest on the floor of the ocean alongside the boat it sunk in.

What’s it about?
Jackson Maine (Bradley Cooper) is a mega famous rock star, who is dealing with alcoholism. He discovers Ally (Lady Gaga), and makes her a star.

What did we think?
Imogen Chapman says: B-Coops can sing! And direct! We already knew about the acting thing. In A Star is Born he also manages to do an excellent younger Jeff Bridges impersonation.

This is the 3rd remake of the classic 1937 film, but don’t expect a jazzy Hollywood musical. It’s emotionally raw, which gives you some incredible moments, but very occasionally causes the movie to lag.

Honestly, this is a surprisingly great movie. The songs are powerful, the performances are awesome, and I was actually moved by the story.

I’m not crying, you’re crying.

4.5/5

What’s it about?

Reporter Eddie Brock (Tom Hardy) is infected by an alien parasite that gives him superpowers, but shares control of his body.

What Did We Think?

Peter Linning says: Desperately hoping that you’ll assume it’s part of Marvel’s cinematic universe (look, we have a Stan Lee cameo and everything!) Venom is occasionally fun, but not nearly enough to warrant your time. The movie’s best moments are the interactions between Tom Hardy’s Eddie and the “symbiote”, as he discovers the nature of their shared living situation. Sadly these scenes are few and far between, buried in a poorly-written and awkwardly paced mess.