What’s it about?
Combining both real and fictional characters from the underground suffragette movement of 1912 Britain, Sarah Gavron directs this Abi Morgan-scripted foray into the dirty streets of London women’s harsh fight, depicting the sacrifices so many made to place the first brick in the as-yet unfinished road to equality.

What did we think?
Angela Young says: Carey Mulligan is brilliant as working-class mother Maud Watts, drawn into a fight that sees her lose her job, her family and her home. Other poignant performances from Anne-Marie Duff and Helena Bonham Carter ensure the grim reality of this brutal fight against the state hits you right where it hurts, with certain significant events depicted with powerful reservation. It’s not a perfect film, but it’s still a must-see for anyone that feels they owe so much to the women who gave so much.

What’s it about?
Moby-Dick is lauded as one of America’s greatest romantic novels. Herman Melville took his own experiences as a whaler to bring the tragic true story of the Essex to life. This is an interpretation of Melville meeting the sole survivor of the shipwreck, and the dramatic recreation of the fateful voyage.

Segue
Dear Chris Hemsworth fangirls, you keep pining for this film, I do not think it contains what you think it contains*

What did we think?
Ishmael^ says: An epic retelling of one man’s monomania that led to the destruction of a great whaling vessel, and the deaths of most of its crew. The brutality and beauty of whaling is told in vivid realism, with impeccable execution: the broad 1820’s Nantucket accents; the graphic harpooning and gutting of a whale; the impending sense of madness and doom. It just feels a tad bloated – a ye olde saga in an age of 15 second attention-spans.

*It says quite clearly on the poster … “Based on the incredible true story that inspired Moby-Dick”. Not “Chris Hemsworth takes his shirt off and reveals his rock-hard abs”.

^Not really, it’s actually me – Stephen Scott – I just thought, for a lark, that for this one review, you could, you know, call me Ishmael?

What’s it about?
Angelina Jolie Pitt directs herself and her real-life betrothed (Brad Pitt) as they play a disenchanted husband and wife, holidaying by the French coast as he tries to write a new book and she languishes in large hats, resenting the local culture and generally being miserable.

What did we think?
Angela Young says: This film has been prey to a lot of speculation, most of it predicting a big bunch of pretentious self-indulgent wank. Bizarrely, despite the fact that it is indeed, basically a big bunch of pretentious, self-indulgent wank, I rather enjoyed it. The cinematic colour and styling suits its mid-‘70s setting like a glove, and the titillating twist to the story adds a little frisson of excitement, albeit not the greatest of crescendoes. Prepare for lots of moody pouting and sideways glances, and you could just get something out of it too.

What’s it about?
Tom Hanks plays Cold War figure James B. Donovan, an insurance lawyer who defends a Russian spy arrested in America and is then tasked with negotiating his exchange for a pair of American prisoners in Berlin.

What did we think?
Nick says: No-one knows how to move a film camera like Spielberg, and Bridge of Spies shows that he’s still on his game. He’s got a great cast to work with, best of which is Mark Rylance, who plays the Russian spy with understated charm. The first half has some terrific suspense sequences and character moments, and while there’s less of those to enjoy in the procedural-like happenings of the second half, the ending drives the emotion home and makes the whole film well worth seeing.

What’s it about?
A dramatic retelling of Whitey Bulger and his rather rocky “alliance” with the FBI.

What did we think?
Nick says: Depp delivers a terrific performance that I’d count as Oscar nomination worthy and the ensemble shines when they’re given room to breathe, but there are a few questionable narrative choices and a lack of striking imagery that would have made this something special.

What’s it about?
A 70 year-old retiree (Robert De Niro) gains an internship at an online fashion store run by a harried young woman (Anne Hathaway). Hijinks and life lessons ensue.

What did we think?
Lisa says: On paper, The Intern sounds like simple, inoffensive fun. It’s a cute concept, helmed by an accomplished (in this genre) director and has a great cast.

Disappointingly the end result is far less than the sum of its parts. The tone is incredibly uneven, varying from sweetly sad, to zany, to hackneyed and borderline offensive.

The second half of the film is especially a drag, weighed down by preachy dialogue and plot points that seem both improbable and clichéd at the same time.

Only tolerable if you’re home alone with nothing better to watch.

What’s it about?

During a fierce storm on a mission to Mars, Astronaut Mark Watney is impaled by debris and left behind by his crew, assumed dead. When Watney wakes up, his mission becomes one of survival, where he must think out of the box and “science the shit” out of his limited supplies to contact NASA and let them know he is alive.

What did we think?

Francesca Percy says: First things first: unlike the vast majority of movies, this is absolutely worth seeing in 3D. Every detail is stunning and utterly convincing – 99 per cent of the time I forgot I was watching a film – I was completely immersed in the story unfolding. This was also due to the pitch perfect direction from Ridley Scott, central performance from Matt Damon as Watney and the wonderfully-cast supporting actors.

The story really never lost my attention – I was on the edge of my seat for much of it, but that was balanced by the ingenuity and enthusiasm of Watney and the people trying to find a way to bring him home, the surprising moments of humour, and the genuine moments of joy that must come from being a pioneer on another planet.

What’s it about?
An impossibly handsome down-on-his-luck twenty-something (Zac Efron) dreams of being a DJ, his thuggish friend dreams of getting in more fights, his drug-dealing friend dreams of getting rich, his dopey looking friend dreams of something better. They party a lot, Zac meets an impossibly good-looking chicky-babe, things go bad, things go good. PCP EDM 128 BPM HASHTAG What – WHAT?

What we thought
Stephen Scott says: like American beer, We Are Your Friends is fun, fairly lightweight, but has a good heart. The target audience will love it then promptly forget about it 5 seconds later.

Want more in-depth analysis? Consider #WAYF to be a 21C version of Plato’s Republic, The Lord of The Rings, heck, even The Bible: it’s a morality tale to help you understand and avoid life’s pitfalls. It’s a story for today’s teens, tweens and in-betweens: you’re probably never going to make it big, but hey, someone does, so why not give it a go? Oh, and drugs are awesome! Oh, and don’t do drugs.

Post-script: it must be a nightmare growing up amongst the perfect people in The Valley. Bulging biceps, shining pearly white teeth and jaw-droopingly-amazing how-do-they-defy-gravity-like-that hand-crafted boobies as far as the eye can see. Maybe that’s why they drink so much. And take so many drugs. Lots of drugs. So many drugs. Don’t do drugs.