What’s it about?
A seven-year old with an overactive imagination discovers the new baby in his home (voiced by Alec Baldwin) is really a middle-manager from the place ‘where babies come from’; here to complete a spy mission and climb the corporate ladder.

What did we think?
Lisa Clifford Says: while mildly amusing, being convoluted and overly long means The Boss Baby probably won’t become a family favourite. There are genuinely funny moments, though most rely heavily on the corporate executive schtick Alec Baldwin honed on 30 Rock.

In a missed opportunity, it raises, but fails to deal with, the tricky issues for kids around feelings of jealousy and displacement when a new baby arrives, and how a parent’s love is quantified and divided between siblings.

If you miss 30 Rock and have to watch a G-rated movie, The Boss Baby will keep you entertained for about an hour*.

*Full running time is actually 97 minutes

What’s it about?
Really? We’re really going there? Fine. In a shocking twist, Beauty And The Beast Redux is actually a big-screen offshoot of Marvel’s Legion: a fever dream where David places himself in yet another musical hostage situation. But will Stockholm syndrome work for or against this powerful mutant?*

What did we think?
Stephen Scott says: an epic revitalisation of the golden Hollywood musical, replete with a dastardly villain, breathtaking choreographed-from-above dance numbers, and a happy ending for all. There are winks and nods aplenty within this utterly adorable Best Picture Oscar winner for 2018 (without Silence of the Lambs it’ll be a shoe-in).

*1 It’s your fault. You asked. What a stupid question “what’s Beauty and the Beast” about. Idiot.

*2 If you haven’t watched Legion yet, get thee to FX immediately.

What’s it about?
1950’s Virginia: it was a simpler time, when a man could love a woman and a woman her man (so long as they had the same skin colour); and old, white, privileged men could exert their racist bigotry without fear of repercussion … until the US Supreme Court made a landmark civil rights decision and said it was OK to love the one you’re with (Loving v. Virginia).

What did we think?
Stephen Scott says: 2017’s trio of harrowing reminders of segregation is a tender balance of Fences’ stark reality and Hidden Figures’ uplifting feel goodedness*. An unassuming, endearing romance, juxtaposed by ignorance and hatred; Loving confirms that love WILL conquer all, even in a court room (which takes a back seat to love story).

Postscript: Thank goodness no-one judges people anymore on who or how they love. /sarcasm

*this is now a word

What’s it about?
John Goodman and his gang of scientists uncover the secret Skull Island which just so happens to be the home of a mega ape.

What did we think?
Nick Bleeker says: Kong knows exactly what it is: a film about a monster ape wrecking stuff, and, as simple as that sounds, it works in the film’s favour greatly. It looks great, the action is composed great and, most importantly, the world Kong lives in feels special. Add to the fact that Samuel L. Jackson goes insane – like, totally bonkers – and I’d say that’s worth the price of admission alone.

What’s it about?
European mercenaries make their way to the Orient in search of the super weapon ‘black powder’.  They discover a powerful army with just one purpose: defending the world against monsters. But are the true monsters… us?

No. It’s quite obviously the giant green lizard things.

What did we think?
Dan says: This is a film about ideas. The story is pretty average and the character motivations are thin on the ground. The film jumps from design idea to illustration idea and every time it’s dazzling. It’s a bit like flipping through the sketch book of that art geek from high school who would shyly tell you what she’d do if she had access to funding. Well someone got access to funding. They don’t know how to write dialogue but their visual story-telling is epic.

What’s it about?
1960’s America was a vortex of social upheaval: apartheid (segregation) was rampant; women’s equality was unimaginable; the space race was nuclear hot; and national pride, if not survival, was at stake. Against all odds, three genii stepped out from the shadows to help NASA realise an impossible dream. Three genii who happened to be black women.

What did we think?
Stephen Scott says: This movie should be compulsory viewing for every man, woman and child. Equality is something many pay lip service to (even today), and while other Oscar-nominated movies show the ugly face of racism via a negative tirade, Hidden Figures lifts you up with a heart-warming, truly accessible story of the little person overcoming insurmountable odds. Inspiring and hopeful.

Incidentally, I never thought I’d see the day where I’d cry watching a man smash a toilet sign off a wall with a crowbar.

What’s it about?
Life as a black man in 50’s America was hard – you had to fight for every ounce of respect. You are constantly reminded of this by Troy, garbage man and would’ve-been baseball legend (if he had’ve been white).

What did we think?
Stephen Scott says: Adapted from an award winning play, Fences reminds us that before TV enslaved us, people talked to each other for entertainment. They talked & they talked & they talked & they talked. And they talked really fast. They talked about mundane things. About important things. About daily grind. About judgement. About being a black man in a white world. Really fast. A lot.

Talking fast makes Shakespeare natural sounding (a basic rule for theatre productions), and Fences feels like they filmed a theatre show then CGI’ed realistic backgrounds in to make it a movie. It’s blocky. It’s talky. It’s a play made into a film. It’s a beautifully made play made into a film with exceptional acting. But it focuses on style rather than the story. Almost as if it was made to get people nominated for award shows.

What’s it about?
A recovering heroin addict uses up five of his nine lives when he survives an overdose, gets a leg-up from a case-worker/guardian angel, meets a girl who might help him straighten out his life, tries to reconnect with his father, and is adopted by a street cat.

What did we think?
Stephen Scott says: Homelessness and drug addiction go hand in hand; and this story opens your eyes to what happens on the other side of the tracks, and just how incredibly hard it is to get a second chance. Whilst a little clunky in its telling, the emotional connection of this harrowing, yet heartwarming story will leave you with a tear in your eye, and the knowledge that cats are indeed the best people.

What’s it about?
A retelling of the horrific Boston Marathon bombing in 2013, and the dramatic four-day chase of the Tsarnaev brothers.
What did we think?
Angela Young says: Hollywood dramatising recent tragic events makes me uneasy, so I can’t say I find this film anything other than distasteful and unnecessary. That said, it’s reasonably well told (not too much high-drama BS thrown in with the facts) and a lot of the actors do a pretty good job, including Kevin Bacon and a strangely deflated-looking John Goodman, though Mark Wahlberg’s made-up hero character designed to neatly tie things up is pretty overdone. I’d much rather see a well-made documentary.

What’s it about?
It’s the 1920s, and Ben Affleck is a zoot suit-wearing, machine gun-toting gangster. Sometimes he has feelings, but you can’t really tell.

What we thought
Amy Currie says: Live by Night is overstuffed with plot and takes itself far too seriously. I’m sure the book on which it was based is quite interesting, and that it would have made a decent Netflix series. As it is, it’s not so much a saga as an edited highlights package. It certainly looks pretty, and some of the subplots and characters are genuinely intriguing. They’re gone in a flash, though, and we’re back to more of Affleck not moving his face.

Don’t bother.