What’s it about?
A Canadian airman working for the British forces in World War 2 meets a beautiful hero from the french resistance. The pair go deep undercover to assassinate a german target but end up storming the beaches of each other’s hearts.

What we thought
Dan Beeston says: A lot has been made of Brad Pitt’s separation from his wife, and rumours have abounded that Pitt had a secret dalliance with his on screen partner Marion Cotillard. Put those rumours to bed by watching just how little chemistry these characters have together. Every escalation in their relationship seems forced and unnatural. Some would say that we’re still feeling the tragic effects of World War 2. This film makes me agree.

What’s it about? 

A down-on-his-luck milkshake machine salesman (Michael Keaton) comes across a hamburger joint that’s revolutionized fast food and has an idea on how to get involved in the business in a big way. A.k.a: the story of how an asshole came to claim he was the founder of McDonalds.

What did we think?

Elizabeth Best says: I always thought Ray Kroc was the founder of good old Maccas, but it turns out I was wrong… and sort of right. Ray “won” the right to call himself founder through a lot of clever assholery and fast talking that has to be seen to be believed. Here’s hoping the “Oscar buzz” for Keaton turns out to be true, as this is a fine performance to follow his turns in other nominated films Spotlight and Birdman. For a thoroughly fascinating movie on the origins of McDonalds, the story sure left a bad taste in my mouth. So much so that I’m boycotting them… at least, until I smell someone eating a delicious cheeseburger.

What’s it about?
Eccentric magizoologist Newt Scamander (Eddie Redmayne) misplaces an enchanted suitcase in 1920s New York. An extremely profitable franchise is unleashed.

What did we think?
Amy Currie says: Hey, you guys like Harry Potter? Then I’ve got good news. Fantastic Beasts is the worthy spin-off that you’re going to be really into for the next ten years or so. While it’s darker than the original films, it’s packed with subtle little nods to them that fans will adore, and the story (though somewhat complicated) is good enough to stand alone. It’s tremendous fun to see the wizarding world through a 1920s lens – magical speakeasy, anyone? – and the inhabitants of Scamander’s Pokeball-meets-TARDIS suitcase are just as fantastic as advertised. This film will frighten young children, but everyone else will be thoroughly enchanted.

What’s it about?
Beatlemania.

What did we think?
Elizabeth Best & Ben Bissett say: Four boys. Four years. That’s all it took to take the Beatles from the grimy basements of Liverpool to the centre of a claustrophobic global touring hurricane. This was the birth of teenagers losing their shit in epic proportions over the cult of celebrity, and the most revelatory moments are the screamed, sobbing reactions to the barely-out-of-their-teens-themselves Fab Four. The heady rush of the first tours quickly turn to jaded dissatisfaction: by the mid-’60s the mop-tops had become caged animals in the circus, and their final tour gig ends with them carted away in a literal meat locker. Beatles for sale, indeed. Cinema-goers (and only cinema-goers, we’re told) are treated to the previously unscreened ‘65 Shea Stadium concert after the credits, yet this film merely skirts the Beatles lore and footage available in the Anthology series. But then, that damn thing lasted nearly 12 hours. In limited cinemas, one week only.

What’s it about?

Frazzled mums (Mila Kunis, Kristen Bell, Kathryn Hahn) get pushed to breaking point and decide to start being shitty mothers instead. But when a perfect mum (Christina Applegate) pushes their buttons, they decide they need to hit her where it hurts, and challenge her for presidency of the PTA.

What did we think?

Elizabeth Best says: Aside from some slightly problematic messaging (if you ever do anything for just you, your whole life will go down the toilet), this is a fun jaunt exploring what happens when stressed out mums cut loose. Hilarious comic timing from Kunis, Hahn and Bell elevates this from shameless chick flick to worthy comedy. I can’t help but feel, though, that Jada Pinkett Smith was a heartbeat away from the token racially diverse character, only hanging around to say things like “dayum” and “that shit is whack.”.

What’s it about?

Set after the events of Batman V Superman, a task force of bad guys is assembled and blackmailed into saving the world from other bad guys, vigilante style.

What did we think?

Elizabeth Best says: It’s not that Suicide Squad is bad. It’s just not… anything. It’s a long, plot-less fight scene, with too many people to pay attention to, moving too fast to actually lock on to anything. Simply put? It’s frenetically boring. Where’s all the fun from the trailer? Characters get loads of screen time but aren’t explored in much depth (Captain Boomerang is an extended punchline, Harley Quinn is a sexy extended punchline, Diablo is the meta-human equivalent of a Bic lighter). Not very much happens except baddies fight baddies to avoid “goodies” (who are kinda baddies) from blowing their heads up. I can’t help but think think DC have done this whole thing backwards; in trying to do an Avengers-style movie, they forgot that all the Avengers had solo movies to establish their characters before they got thrown in together to defeat the big bad. The Suicide Squad aren’t given the same opportunity and as a result we’re still kind of clueless about who they are. Even Jared Leto’s much-hyped Joker doesn’t leave a lasting impression.

Meh. Just meh.

What’s it about?

Several seasons into their “five-year mission”, the crew of the Enterprise, led by the cocksure yet jaded James Tiberius Kirk (Chris Pine) and his emotionally detached scientific officer Spock (Zachary Quinto), heed a distress call from uncharted space. It’s a trap! Oh, wrong franchise.

What did we think?

Ben Bissett and Elizabeth Best say: Beyond may be the title card, but this film asks us to boldly go where we’ve gone before. Set pieces that look like they’re straight from the halcyon TV series, populated by aliens that resemble demons from Buffy meld to create a film that pays fond, knowing homage to the old days of the Enterprise, stardate, oh, whenever Shatner was on the bridge. As always, Star Trek is about the relationships, most importantly that of Spock and Kirk, and the actors all deliver here. The message, that unity is stronger than division, resonates in our uncertain political times, and it’s treated with a great deal of reverence. Colossal visual effects are, as per its predecessors, off the planet (sorry) yet the most powerful image in the movie is a single photograph towards the end. Prepare to wipe a tear away, Trekkers.

What’s it about?
A recently escaped Joker targets Batman, Commissioner Gordon and his daughter Batgirl in a depraved mission to prove a point: We’re all just one bad day away from going mad.

What did we think?

Clint Skene says: True to the comics as if it was ripped from the pages itself, scenes play out more as art than straight feature. Each scene leaves you more uneasy than the last as The Joker raises the stakes of depravity with each passing second (including an incredibly upsetting song and dance number). It’s high drama, confronting themes and squeamish moments, married with an atmospheric score and amazing performances from Batman alumni Mark Hamill, Kevin Conroy and Tara Strong. This is definitely another smash hit for WB Animation. The Killing Joke is a remarkable and much welcomed addition to the DC Animated universe.

What’s it about?

Sophie (Ruby Barnhill) is whisked away to Giant Country when she accidently spots a giant (Mark Rylance) going about his business in the middle of the night. She and her new friend the BFG must come up with a plan to stop his friends from kidnapping and eating children in England.

What did we think?

Elizabeth Best says: If you ever read this Roald Dahl book as a child, this movie will be a giant (geddit?), nostalgic punch right in the feels. The BFG himself is brought to glorious life through the ever-expressive face of Rylance and the deft touches of a very talented animation team. The dream worlds fizz with life and imaginative design that leaps off the page.

Adapting a rather short story into a full length movie has it’s pitfalls though, and the pace does seem to lag  in the middle, as smaller ideas from the novel feel fleshed out for time.

Though some of Dahl’s darker ideas are glossed over (as they always seem to be in movie form), and the Sophie seems a bit more precocious than I remember her, The BFG (both movie and character) is still rather charming.

What’s it about?

Quirky, “chatty” Lou (Emilia Clarke) is hired as a carer for a cynical, wealthy young man who feels he lost everything when he was paralysed in an accident

What did we think?

Elizabeth Best says: If you get a bit weepy in sad films (like me *sniff sniff*) then get ready for the deluge. If you don’t, then you’re probably not going even get as far as handing over your cash at the box office for this heartfelt sobfest… Unless you’re forced to on a date, in which case get ready for your date to look all red and splotchy when the credits roll.

Clarke is so infectiously chipper here, she’s almost like a (slightly overacting) British Jessica Day (New Girl), while Clafin smoulders as a wheelchair bound Mr Darcy type. Ultimately it’s a solid romantic drama that will punch those so inclined right in the feels, and leave everyone else wishing all the emotional stuff was over so they can get back to the latest superhero flick.